The Metamorphosis Lole Komo na Yingyi Chen

ʻO The Metamorphosis Lole Komo na Yingyi Chen he mea lanakila hanohano loa o ka 2021 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Lole, ʻAʻahu a me Kāpili.

HaoLole· 2021

The Metamorphosis Lole Komo

na Yingyi Chen

Mea Kūʻai: Sculpture studio

Mea Lanakila A' Design Award Hao ma ka Māhele Lole

19,461

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #106017

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā The Metamorphosis Lole Komo

ʻO ka Metamorphosis he lole i hana lima ʻia me ka hoʻoulu ʻana mai nā manaʻo o ka loli ʻano a me ka uluā holomua. Ua kūkulu ʻia ke kamepiula ma luna o nā iwi holoholona i hoʻonui nui ʻia a hoʻokō ʻia e kūpono i ke kino kanaka. ʻO nā ʻano hana i puka mai ke hōʻike nei i kahi kiʻi hui o ke kanaka a me ka holoholona. Hana ʻia ke kapa mai ka plastika hiki ke hoʻohaʻahaʻa ʻia ma ke ʻano kaiapuni, ka ʻili holoholona, a me ka lauoho. ʻO ka plastika he mea koena i hoʻopili wela ʻia me ka lauoho e hana i kahi lole. Hoʻohana hou ʻia ka ʻili a me ka lauoho mai nā koena o ka hale hana a me nā ʻōpala mai ka hale ʻoki lauoho. Hiki ke wehe a hoʻopili hou ʻia nā ʻāpana lima, poho lima, alo, kua, a me wāwae no ka komo maʻalahi a me ka pani hou ʻana ma hope.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā The Metamorphosis Lole Komo i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā The Metamorphosis Lole Komo he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā The Metamorphosis Lole Komo no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: In concepts of mutation and evolution,this design are based on exaggerated animal skeletons and designed to fit the body which is grounded in a unique visual interpretation of animal anatomy, building upon existing skeleton structures to create it that appear as natural properties of the human body, suggesting strength, power and sensuality—a cross-image of human and animal, an atemporal, supreme creature, beyond past and future.The design was handcrafted with degradable plastic, leather, hair.
Nā Ana a me ka Hoʻopili: 520mm Width x450mm Depth x 1200mm Height
Nā Lepili: Mutation, Metamorphosis, Leather, Plastics, Body
ʻEnehana Hana: The metamorphosis of human was made of degradable plastic, leather and hair. Biodegradable plastics are scrap materials provided by relevant manufacturers.Then apply the hot pressing technique and add the hair to form the fabric; Leather is the leftover material in the daily use of the studio, which is stitched after recycling. Hair comes from barbershop waste. As time went by, the work was finally broken down completely.
Pilikia Hoʻolālā: First, how to express the texture of human skin in the future is an important problem. Second, the joints of the fingers, the part of the tail, the bulging part of the back, these details are a polyhedron, the model is more difficult to make.
Noiʻi: The production process of this work is just like that of sculpture. In the process of human birth-development-metamorphosis, it is continuously ground, bent and processed. This process is the transformation from the original ape-man to the "synthetic material" of modern man. I have studied the medical aspects of the human body, and I have learned about the evolution of human beings in various ways in ancient times, such as the stage from crawling to standing upright. These studies and experiments laid the foundation for the project.
Hoʻoulu Manaʻo: "What began as such a simple form has evolved, and continues to evolve, into the most beautiful and wonderful of infinitely many forms." Charles Darwin said.Concepts of mutation and evolution are explored in order to develop a contemporary cross-image of human and animal, an atemporal, supreme creature, beyond past and future.All of the objects were handcrafted.Leather and hair are form recycling. Eventually this design was broken down into a new cycle.
Ka Lōʻihi o ka Papahana: The project started in January 2020 and finished in March 2020 in China.
Kaʻina Hana: Each part of The metamorphosis of human could be disassembled and reassembled, for example, The arms, hands, front, back, and foot ornaments. This is for ease of wear and tear, freedom of movement, and the ability to replace or add parts in the future, thus achieving a process of constant renewal and evolution.
Nā Palapala Kuleana: Copyright to Yingyi Chen
Nā Kuleana Kiʻi: Image #1: photographer Zhiming Li, Model Quansi Liu, 2020
Image #2: photographer Zhiming Li, Model Quansi Liu, 2020
Image #3: photographer Zhiming Li, Model Quansi Liu, 2020
Image #4: photographer Zhiming Li, Model Quansi Liu, 2020
Image #5: photographer Zhiming Li, Model Quansi Liu, 2020