Orbit A Collection Hōʻiliʻili Mea Kāhiko na Suyu Chen

ʻO Orbit A Collection Hōʻiliʻili Mea Kāhiko na Suyu Chen he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Lei a me Kahiko.

HaoLei Kahiko· 2022

Orbit A Collection Hōʻiliʻili Mea Kāhiko

na Suyu Chen

Mea Kūʻai: Suyu Chen

Mea Lanakila A' Design Award Hao ma ka Māhele Lei Kahiko

15,518

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #131168

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Orbit A Collection Hōʻiliʻili Mea Kāhiko

He kaʻina hana lima ʻo Orbit A Collection e pili ana i nā mea kāhiko i haku ʻia me ka lima, e komo ana i kekahi pine kāhiko a me ʻelua lei ʻāʻī. He kūʻokoʻa kēlā me kēia mea, a hoʻohui ʻia ke kālā paʻakikī (sterling silver) me nā paipu palasika, ka pālolo resin, a me ka pena. Hoʻohana hou ʻia ka mea palasika like i mea kumu e hana ai i nā ʻano hoʻolako a me nā kiʻi kālaiʻia like ʻole e komo ai ke kanaka. Hoʻohana ʻia nā ʻano hana metala kahiko e like me ka hoʻohui ʻana me ke ahi (soldering), ka hoʻolina ʻana, a me ka hana kaulahao, me ka hoʻohui pū ʻana me ka hoʻohui palasika me ke ahi, ka ʻānai ʻana, a me ka hoʻokala waihoʻoluʻu ʻana. Hōʻike ka hōʻiliʻili i ka pilina ma waena o ka ʻoihana lima kahiko a me ka hana nui hou o kēia au.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Orbit A Collection Hōʻiliʻili Mea Kāhiko i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Orbit A Collection Hōʻiliʻili Mea Kāhiko he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Orbit A Collection Hōʻiliʻili Mea Kāhiko no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Nā Ana a me ka Hoʻopili: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Nā Lepili: jewelry, necklace, brooch, craft, mixed material, art jewelry
ʻEnehana Hana: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Pilikia Hoʻolālā: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Noiʻi: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Hoʻoulu Manaʻo: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Ka Lōʻihi o ka Papahana: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Kaʻina Hana: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Nā Lālā Hui: Suyu Chen
Nā Kuleana Kiʻi: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020