Sea And Life: Endless Chains Hoʻoikaika ʻĀnō Kūlike ʻole na Shin Asaw

ʻO Sea And Life: Endless Chains Hoʻoikaika ʻĀnō Kūlike ʻole na Shin Asaw he mea lanakila hanohano loa o ka 2020 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hoʻonaʻauao, Mea Kōkua Aʻo a me ʻIke Hoʻomaʻamaʻa.

HaoHoʻonaʻauao· 2020

Sea And Life: Endless Chains Hoʻoikaika ʻĀnō Kūlike ʻole

na Shin Asaw

Mea Kūʻai: Sea VR Study Project Executive Committee

Mea Lanakila A' Design Award Hao ma ka Māhele Hoʻonaʻauao

19,989

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #88929

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Sea And Life: Endless Chains Hoʻoikaika ʻĀnō Kūlike ʻole

ʻO Kai a me ke Ola: Nā Kaulahao Pau ʻole he hoʻoikaika ʻāno kūlike ʻole i hana ʻia no nā haumāna kula kumu a me kula kiʻekiʻe. ʻO ka ʻāpana mua he kiʻiʻoniʻoni hōʻike ʻoiaʻiʻo he 360 kekona ka ākea e wehewehe ana i nā pilikia kaiapuni moana, e like me ka ʻōpala palasitika, me nā inoa o nā mea ola a me nā helu kikoʻī. ʻO ka ʻāpana ʻelua he pāʻani kahi e huli ai nā haumāna i ke kai, ʻimi i nā mea ola a pane i nā nīnau me ʻehā koho. Koho ʻia nā pane ma ke kikoʻī ʻana o ke poʻo, no laila ʻaʻohe pono e lawe i kahi mīkini lima. ʻAʻole hoʻoneʻe ʻia ka hiʻohiʻona ma ka ikaika, kahi mea e kōkua ai i ka pale ʻana i ka maʻi neʻe.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Sea And Life: Endless Chains Hoʻoikaika ʻĀnō Kūlike ʻole i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Sea And Life: Endless Chains Hoʻoikaika ʻĀnō Kūlike ʻole he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Sea And Life: Endless Chains Hoʻoikaika ʻĀnō Kūlike ʻole no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This is an immersive VR edutainment for primary and secondary students. It consists of two parts. The first part is Movie-Side, which is a documentary film of 360 degree to explain some marine environmental problems using detailed numbers and names of organisms. The second part is Game-Side which provides underwater immersive experience, fun of creature hunting, and confirmation of knowledge using quizzes with four choices.
Nā Ana a me ka Hoʻopili: For VR goggles, OculusGo is adopted as an integrated type with low introduction cost and no need for PC connection.
Nā Lepili: VR, movie, film, game, edutainment, quiz, HMD, display, goggle, OculusGo, 360, ocean, sea, marine, animal, creature, life, plastic, garbage, waste
ʻEnehana Hana: We used Unity as a development environment for VR applications and edited the video (CG) with Adobe PremierePro, Adobe AfterEffects, Autodesk Maya, etc. In particular, plug-ins for VR (Mettle Mantra VR series, GoPro VR series) were used extensively. For 360-degree shooting, I used GoPro Fusion for aerial photography, Kodak PIXPRO 4KVR360 for underwater, and RICOH THETA V and Panasonic GH5 on the ground.
Pilikia Hoʻolālā: We have developed software that does not use the hand-held controller that comes with OculusGo in order to save time and effort in teaching how to use VR goggles. In particular, players can enter the answer for the 4-choice question just by the angle of the head (direction of sight line). Furthermore, in order to prevent children's VR sickness, we have made a direction that does not forcibly move the view. As a result, there were no children who felt ill while targeting more than 100 students.
Noiʻi: This project's main purpose is to enlighten children about various problems related to the ocean such as plastic waste and global warming, and was carried out with financial support from the Nippon Foundation.
Hoʻoulu Manaʻo: Documentary film can be effective when you want young people to be interested in difficult social issues. However, knowledge is not established just by watching, so some kind of "confirmation" is necessary. At that time, if the school-like writing test is conducted, the students who scored low may lose interest in the issue. Therefore, I thought that it would be effective to use VR goggle, watch the video first, then try the game, and repeat these until getting enough score while having fun.
Ka Lōʻihi o ka Papahana: The project started in Tokyo from around January 2018. Over half a year, we did movie side filming in the seas around Japan, and produced game side in Tokyo. In September 2018, we held the first one-day event for all students at Hachiyama Junior High School in Tokyo. In October, a permanent exhibition was held for a month at Science Center for Children in Shibuya. If there is a request from an educational institution etc., we will still lend it.
Kaʻina Hana: i) You wear the OculusGo, see a tutorial on how to play.
ii) Select the Movie or Game button.
iii) On the game-side, travel through the ocean looking for creatures. The questions will only be displayed when you find a particular one. You can continue until you find all or time out.
iv) You will be given one of the three titles of "Sea Friend" with 0 to 6 correct answers, "Sea Master" with 7 to 9 correct answers, and "Sea God" with Perfect. If you want to answer all correctly, you can try again.
Nā Palapala Kuleana: (C) 2018 Sea VR Study Project Executive Committee
Nā Lālā Hui: Concept Designer and Movie Director and Game Director : Shin Asaw
3D Designer : Satomi Iseki
2D Designer : Risa Takahashi
Programmer : Kouji Chado
Programmer : Mika Nishida
Nā Kuleana Kiʻi: Image #1 : Designer & Director of Photography Shin Asaw, SnL_EC_mainimage, 2019.
Image #2 : Director of Videography Shin Asaw, optionalimage#1, 2019.
Image #3 : Director of Videography Shin Asaw, optionalimage#2, 2019.
Image #4 : Game Director Shin Asaw, optionalimage#3, 2019.
Image #5 : Director of Photography Shin Asaw, optionalimage#4, 2019.