Catalogue of Incunabula Kev Ua Haujlwm Tseem Ceeb: Phau Ntawv Qhia los ntawm Aleksandra Toborowicz

Qhov qauv tsim Catalogue of Incunabula Kev Ua Haujlwm Tseem Ceeb: Phau Ntawv Qhia los ntawm Aleksandra Toborowicz yog tus yeej muaj nqis heev ntawm qhov khoom plig 2021 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Xov Xwm Luam Tawm thiab Xov Xwm Tshaj Tawm.

NyiajLuam Tawm· 2021

Catalogue of Incunabula Kev Ua Haujlwm Tseem Ceeb: Phau Ntawv Qhia

los ntawm Aleksandra Toborowicz

Tus Neeg Siv: National Library of Poland / Biblioteka Narodowa

Tus Yeej A' Design Award Nyiaj hauv Pawg Luam Tawm

42,933

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #114705

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Catalogue of Incunabula Kev Ua Haujlwm Tseem Ceeb: Phau Ntawv Qhia

Phau Ntawv Qhia ntawm Incunabula yog ib phau ntawv muaj ob thooj uas sau txog cov khoom sau ntawm cov ntawv luam thawj xyoo puas caum tsib caug uas National Library of Poland tau khaws cia. Cov qauv tsim no hais txog tus qauv ntawm kev luam ntawv thiab kev sau ntawv thaum ntxov ntawm lub sijhawm Renaissance. Cov tsiaj ntawv loj ua tus ntsiab lus tseem ceeb pom tau, thiab lub npe ntawm nplooj npog raug ua los ntawm kev luam ob xim. Kev nias tob tsis muaj xim ntawm ib daim phiaj Renaissance ua cim rau cov nplooj npog. Cov ntawv nyeem raug teeb tsa hauv tus qauv oldstyle serif Adobe Jenson Pro. Cov ntawv npog yog ua los ntawm paj rwb thiab muaj ib txheej ntxhib. Kev xaws khi ua rau cov thooj phau ntawv tuab qhib tau yooj yim rau kev nyeem.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Catalogue of Incunabula Kev Ua Haujlwm Tseem Ceeb: Phau Ntawv Qhia yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Catalogue of Incunabula Kev Ua Haujlwm Tseem Ceeb: Phau Ntawv Qhia xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Catalogue of Incunabula Kev Ua Haujlwm Tseem Ceeb: Phau Ntawv Qhia yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: The idea of the project refers to the style of the first Renaissance prints and typography - both in the selection of materials: elegant, hand-made cover paper and inside pages, by referring to the typography – large initials, which are the leitmotif of the project, as well as the technique of two-color typographic printing in the title of the cover. The subtle blind debossing of the Renaissance grid adds elegance to the design and strengthens historical references. An oldstyle and serif Adobe Jenson Pro font used in publication also refers to the first text face cut in Venice by Nicolas Jenson around 1470. The burgundy color of the elements organizing the publication (initials debossed on the covers and main inserts) and the accents (highlighting the most important sections, footnotes, references to footnotes) strongly contrast with the black of the body of the text. The paper used for the cover production – Arches White 400 g/m2 – is the highest quality product made of 100% cotton. Thanks to traditional production methods, the paper has a rough and harmonious texture, similar to hand-made paper. The typographic layout also refers to historical solutions from the times of incunabula.
Qhov Loj & Ntim: binding: sewn-glued binding (otabind)
format: 168 x 240 mm
number of pages: 1080 (vol. 1: 704, vol. 2: 392)
printed by: Marceli Sp. z o.o., Warszawa
circulation: 250
Cov Ntsiab Lus: catalogue, incunabula, publication, book, old-style, initials, typography, Renaissance, blind deboss, letterpress, renaissance grid,
Thev Naus Laus Zis Tsim Khoom: cover: Arches White 400 g/m2; dry embossing – lines, title text – typographic printing
cover print: 2+1
printed on: Munken Premium Cream 1.3, 90 g/m2
inside print: 2+2 (czarny + Pantone 199 U)
red threads
typefaces: Adobe Jenson Pro, Incunables
Kev Sib Tw Tsim Qauv: The biggest challenge was to design the layout – a complex, specialized and multi-part hierarchy and typographic layout, as well as a very voluminous text material while limiting the page limit.
Kev Tshawb Fawb: The Catalogue of Incunabula in the National Library of Poland continues the tradition of research into the oldest surviving examples of printing, begun by Kazimierz Piekarski before the Second World War. It was compiled by Michał Spandowski in collaboration with Slawomir Szyller. Descriptions of the bindings are by Maria Brynda. The National Library of Poland has a cooperation agreement with the Berlin State Library dating from 2011, thanks to which the Catalogue has been reviewed by Dr Falk Eisermann, head of the Gesamtkatalog der Wiegendrucke (Union Catalogue of Incunabula) in Berlin, whose division is the leading body dealing with the global bibliography of fifteenth-century prints. Paul Schweitzer-Martin, expert in incunabula at the University of Heidelberg, helped produce the English version. It was decided to publish in English due to the international nature of research in this field and so that the Catalogue would reach a wider audience.

The Catalogue describes incunabula from a number of important historical collections, including the famous Biblioteka Ordynacji Zamojskiej (Count Zamoyski Family Library) and the Count Tarnowski Family Library in Dzikow. It includes descriptions of objects saved from the pre-War collection of the National Library, almost completely destroyed following the Warsaw Uprising. The Catalogue further adds to our bibliographic knowledge of fifteenth-century printing by presenting a number of unique items not covered in the existing literature. It also contains specialised descriptions of the medieval manuscripts that are bound together with the incunabula, and selected post-incunabula.

The second volume of the Catalogue contains a number of research tools making it easier to use the over 1,000 individual descriptions in the first volume. In addition, two provenance indexes provide extensive information on the former owners of the incunabula, with individual owners listed separately from institutions such as libraries, monasteries and churches.
Kev Txhawb Siab: The two-volume "Catalogue of Incunabula in the National Library of Poland" presents the collection of 15th-century prints held by the BNP, the sixth-largest such collection in Poland (1,131 copies of 1,034 printed editions). Perhaps the greatest achievement of this tradition so far was the publication of the central catalogue of all incunabula in Poland; now it is the turn of the collection of the National Library, presented here in great detail.
The idea of the project refers to the style of the first Renaissance prints and typography.
Lub Sij Hawm Ua Hauj Lwm: year: 2019–2020, Kraków–Warszawa
Txheej Txheem Ua Hauj Lwm: The publication, which consists of many pages, was prepared in the otabind binding technique, which allows for easy opening of the book and makes it easier to read.
Cov Tswv Cuab Pab: Design: Aleksandra Toborowicz
Typesetting: Katarzyna Niewczas
Project manager: Monika Michowicz