Ihe emepụtara bụ Blue Ants Nchịkọta Uwe nke Yi Yin bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.

ỌlaedoEjiji· 2023

Blue Ants Nchịkọta Uwe

nke Yi Yin

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ejiji

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

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Nhazi a

Maka Blue Ants Nchịkọta Uwe

Blue Ants bụ nchịkọta uwe emere site na uwe ochie e gbanwere agbanwe. Akwa ndị na-acha anụnụ anụnụ gbara ọchịchịrị ka e wetara site na uwe ọrụ overalls na-acha anụnụ anụnụ, ebe atụmatụ ịchọ mma ndị ahụ dabere na stampụ nri nke akụkọ ihe mere eme. E ji foto cyanotype mepụta ihe e biri ebi ndị ahụ, nke ìhè anyanwụ na-anọchi anya igwe obibi akwụkwọ. Ịkpụ na laser na-enye akwa ahụ mmetụta akụkụ abụọ na akụkụ atọ nke na-eso ụdịdị ahụ mmadụ. A gbagọrọ ma kee ọdịdị overall nke oge ochie ahụ. A na-enye nchịkọta a n'ụdị nha dịgasị iche iche.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Blue Ants Nchịkọta Uwe meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Blue Ants Nchịkọta Uwe ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Blue Ants Nchịkọta Uwe na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project focuses on fashion and textile design using old clothes transformation, cyanotype photography and laser cutting. The designer hopes to connect the unique political function of clothing and break the stereotypes of the old times. In terms of materials, the designer has tried a variety of interdisciplinary textile design methods, striving to design clothing that is both environmentally friendly and fashionable.
Nha & Mkpuchi: Variable sizes
Mkpado: Fashion, Textile, Sustainable, Cyanotype, Design
Teknụzụ Mmepụta: All the redesigned dark blue fabrics in this project come from the old blue overalls during the Cultural Revolution. In addition, this project also used food stamps that were exclusive during the Cultural Revolution period to develop my design because the patterns and curves on them to be quite beautiful and attractive. Moreover,the laser-cut fabric has both a two-dimensional and three-dimensional transformation effect that follows the undulations and curves of the body.
In addition, in order to restore the sense of time during the Cultural Revolution and maintain the concept of sustainability, the prints in the Blue ants are all done using cyanotype photography. The traditional printing machine is replaced by sunlight to produce a unique printing and dyeing effect.
Ịma Aka Imepụta: Laser cutting was the hardest part of this project as it is challenging to find a suitable fabric. Because some fabrics are too soft to reveal the cut graphics, while others are too hard to make clothes.
Nchọpụta: This project was integrated the printing methods of visual communication design, cyanotype photography, and other techniques to complete my fabrics. The project also used a projector to assist me in the design of the silhouette. The designer intended to twist and bind the classic silhouette of blue overallsto disrupt the Cultural Revolution when everyone wore the same clothing.
Mkpali: Blue ants, was inspired by the famous historical event in China, the "Cultural Revolution". During this decade, people regardless of gender and age, completely spontaneously wore uniform blue overalls, so they were called “blue ants” by people in other countries. During this decade, clothing no longer only has the function of keeping warm, but has completely become a political tools of fanaticism and blind obedience.
Oge Ọrụ: The project started in January 2022 in Jinan,China and finished in November 2022 in Jinan,China.
Usoro Ọrụ: The laser-cut fabric has both a two-dimensional and three-dimensional translation effect that follows the undulations and curves of the body.
Asụsụ Foto: Copyright by Yi Yin,
Image #1: Photographer Yihao Huang，2022
Image #2: Photographer Yihao Huang，2022
Image #3: Photographer Yihao Huang，2022
Image #4: Photographer Yihao Huang，2022
Image #5: Photographer Yihao Huang，2022
Model: Wenxue Meng，2022