The Shape of Old Memory Mkpokọta Ejiji Ụmụ Nwanyị nke Bingrou Chen

Ihe emepụtara bụ The Shape of Old Memory Mkpokọta Ejiji Ụmụ Nwanyị nke Bingrou Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Platinum na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.

PlatinumEjiji· 2023

The Shape of Old Memory Mkpokọta Ejiji Ụmụ Nwanyị

nke Bingrou Chen

Onye Meriri Ihe Nrite A' Design Award nke Platinum na Udi Ejiji

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #148885

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Shape of Old Memory Mkpokọta Ejiji Ụmụ Nwanyị

Mepụta usoro ọrụ ndị a sitere n'echiche onye mepụtara ha banyere iji ọhụrụ tinye omenala ọrụ aka ọdịnala na nhazi ihe nke oge a na uru ya bara n'ịmegharị ihe. Omenala ọrụ aka ọdịnala dị ka akụ mikpuru n'ime oke osimiri. Ndị mmadụ nwere ike ịghọta na ọ dị ma na ọ bara uru ma ọ dịkarị obere mgbe ha na-emetụ ya aka. Ọ bụrụ na a napụtaghị ya, ọ ga-akpachapụ ma kwụsị ịdị, nke bụ ihe na-ewute mmadụ. Ihe ọhụrụ ọzọ dị na ọrụ a bụ iji gluu epoxy resin AB, ọ na-enyere ọrụ a aka idebe ọdịdị ọma ya dịka ihe a kpụrụ akpụ, ma na-arụkwa ọrụ dị nnọọ mkpa n'ịchọ mma ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Platinum

The Shape of Old Memory Mkpokọta Ejiji Ụmụ Nwanyị meriri A' Design Award nke Platinum, nnabata dị oke ugwu e nyere design ndị bụ n'ezie pụrụ iche, mara mma ma dị ebube. Ndị meriri na Platinum bụ ihe ịtụnanya nke imepụta, ihe akaebe nke oke ntụgharị uche imepụta ihe, ma na-egosi ikike ọrụ na ọgụgụ isi na-enweghị ntụnyere nke ndị designer ha. A na-atụ anya na design ndị a ga-abụ ọrụ kacha mara amara nke na-akọwa ịma mma nke oge, na-enye aka na ọdịmma obodo ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The Shape of Old Memory Mkpokọta Ejiji Ụmụ Nwanyị na-egosi ọkwa ịdị mma karịrị oke ma n'enweghị obi abụọ na-eme ka ụwa bụrụ ebe ka mma site na àgwà ya bara uru na dị oke ọnụ ahịa. The Shape of Old Memory Mkpokọta Ejiji Ụmụ Nwanyị bụ ọrụ meriri A' Design Award nke Platinum nke na-akpali ọchịchọ, na-akpali, na-eme ka obi ụtọ jupụta ma na-akpali oke ọṅụ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The innovation of this design is mainly reflected in the application of special materials, the design of apparel structure and the innovative application of traditional Chinese Chaozhou embroidery pattern. The addition of epoxy resin AB glue makes the modeling of this series of clothes become stable like sculpture, more tension, but also more expressive. The application of traditional Chaozhou embroidery pattern makes the works more vibrant.
Nha & Mkpuchi: The whole collection is 4 look womenswear, size 4.
Mkpado: Fashion design, New material, Chinese traditional craft culture, Chinese traditional Chaozhou embroidery craft, Creative design, Costume sculpture
Teknụzụ Mmepụta: The main technology of this series of works is the application of Epoxy resin AB adhesive. On the one hand, the material used in the edge of clothing cut can play an effective role in shaping and supporting, on the other hand, the material can also better fix other decorative materials on the clothing, has a good decorative effect.
Ịma Aka Imepụta: There are two main challenges in the creation process of this series of works. One is about the application of epoxy resin AB glue in costume, and the other is about the application of traditional Chinese Chaozhou embroidery craft culture in this work. In this series, I did not really apply embroidery techniques, but used metal bead chains to represent the extracted embroidery patterns. What I want to discuss is the new possibilities of traditional craft culture in contemporary design.
Nchọpụta: This work focuses on the innovative application of new materials and traditional Chinese craft culture in fashion design. Its materials such as epoxy resin AB glue and metal bead chain that I used are relatively rare in the field of fashion design. Their addition not only well decorates the design, but also plays a good shaping role, making the costume more tense
In addition, the patterns in this work are all based on the Chinese traditional Chaozhou embroidery craft works.
Mkpali: The creation of this series of works comes from the my thinking on the innovative application of traditional craft culture in contemporary design and its innovative application value. Traditional craft culture is like a treasure sunk in the deep sea. We can perceive its existence and value, but rarely touch it. If we do not try to salvage it, we will only see it fade away and disappear, which is regrettable.
Oge Ọrụ: The project started in September 2021 in Guangzhou and finished in May 2022 in Guangzhou, and was exhibited in Guangzhou Academy of Fine Arts in June 2022.
Usoro Ọrụ: This work is not only wearable clothing, but also can be regarded as decorative sculpture. Because of the application of epoxy resin AB glue in the work, the work can maintain a relatively beautiful shape stably even without the support of human body, and has good ornamental value.
Asụsụ Foto: Image #No1:Photographer Akun, 2022
Image #No2:Photographer Akun, 2022
Image #No3:Photographer Akun, 2022
Image #No4:Photographer Akun, 2022
Image #No5:Photographer Akun, 2022