Ihe emepụtara bụ Huazolo Aphrodites Uwe A Kpara Akwa nke Cynthia Gomez bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.
ỌlaọchaEjiji· 2025
Huazolo Aphrodites Uwe A Kpara Akwa
nke Cynthia Gomez
Onye Ahịa: Ensamble Artesano and Niu Matat Napawika
Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ejiji
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #169193Nhazi a
Maka Huazolo Aphrodites Uwe A Kpara Akwa
Ọrụ a gụnyere imekọ ihe ọnụ n'etiti ndị ọkachamara n'ọrụ aka ịkpa akwa sitere n'obodo ụmụ amaala Oaxaca dị na Mexico na ndị na-ese ụdị ejiji, na-emepụta atụmatụ nke jikọtara njirimara, ihe nnọchianya, na usoro nke obodo ụmụ amaala na echiche ndị na-ese ụdị ejiji n'ime ngwaahịa ejiji nke oge a. Site n'ijikọta ụzọ nke ndị nna nna dị ka enweghị ihe mkpofu na ịma mma nke oge a, ọrụ a na-egosipụta mkpa omenala dị n'ọrụ ndị ọka ọrụ aka ka ọ na-enyekwa ha ohere ịkpata ego ma gosipụta ịma mma nke ọrụ aka ha n'ụwa nhazi nke oge a.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Ọlaọcha
Huazolo Aphrodites Uwe A Kpara Akwa meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Huazolo Aphrodites Uwe A Kpara Akwa ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Huazolo Aphrodites Uwe A Kpara Akwa bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- This was a collaboration project with the embroiderers Huazolo Aphodites, with the aim of keeping artisanal production alive and preserving the ancestral textile techniques of the community of Santa María Huazolotitlán, Oaxaca, Mexico. It consisted of working together between the designers and the indigenous embroidery master craftsmen,creating a proposal that integrated identity, symbology, and techniques of indigenous communities with the designer's vision in a contemporary fashion product
- Nha & Mkpuchi
- poncho 90 cm x 120 cm
blouse 60 cm x 60 cm
dress 90 cm x 80 cm - Mkpado
- collaboration, indigenous communities, embroidery, heritage, traditions, sustainable, fashion
- Teknụzụ Mmepụta
- The exchange of knowledge between artisans and designers was achieved, exalting embroidery techniques, promoting sustainability by using local textiles and inputs, as well as managing zero waste in clothing using squares and rectangles for each pattern, based on the traditional indigenous huipil technique.
- Ịma Aka Imepụta
- The challenge was to generate empathy and communication with the indigenous communities since they were more than 1000 km from Mexico City.
We had many meetings to be able to delve into their culture and understand what was most relevant to them in terms of their techniques and silhouettes, so that together we could design garments with which they could identify and produce.
The other challenge was to find sustainable silhouettes and local materials. - Nchọpụta
- It all started with an immersion with the artisans, to understand their culture, clothing, and techniques they used since past times.
Several meetings were held, sharing the symbols they use; seeking empathy, understanding how relevant textiles are for them.
We crossed many design ideas, until reaching the final proposal, using rhombuses and animals of the region that are part of their embroidery, but fusing them with topography of the place to connect with the contemporary designs. We promote sustainability with zero waste in patterns through the interpretation of their huipil which is made from rectangles. - Mkpali
- We immersed ourselves in the community to learn about its culture, identity, traditions, as well as its clothing and textile techniques. They shared with us the meaning of the symbols they embroider, such as the multicolored rhombuses that show the days of the week and the animal figures that represent the fauna of the region.
The designs took as inspiration the topography of the town, representing the intersections of its streets in diamond and the fauna amplified and segmented in the design - Oge Ọrụ
- The project started in March 2023 and finish in February 2024
- Usoro Ọrụ
- They are easy to handle garments, as they are made from squares and rectangles.
- Ndị Otu
- Cynthia Gomez
- Asụsụ Foto
- Photographer Silvestre Garcia
Hairstylist Ignazio Muñoz
Makeup artist Ian Bautista
Models Diana Ortiz and Aislynn Diana
Stylist Vanesa Bojalil
Nkwado
Nyochaa Karịa Designers.org
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