Zig Zag Usoro Ọla Ịchọ Mma Nke Oge A nke Mayte Ossorio Domecq

Ihe emepụtara bụ Zig Zag Usoro Ọla Ịchọ Mma Nke Oge A nke Mayte Ossorio Domecq bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

BronzỌla Ịchọ Mma· 2025

Zig Zag Usoro Ọla Ịchọ Mma Nke Oge A

nke Mayte Ossorio Domecq

Onye Ahịa: Mayte Domecq

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ọla Ịchọ Mma

21,546

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #171308

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Zig Zag Usoro Ọla Ịchọ Mma Nke Oge A

Site N'Ahịrị Kwụ Ọtọ Ruo N'Ahịrị Gbagọrọ Agbagọ: Zig Zag Na-Ewepụta Ọdịdị. Ọrụ nyocha etinyere n'ọrụ a na-enyocha mgbanwe nke ahịrị kwụ ọtọ ka ọ bụrụ nke gbagọrọ agbagọ site na mpaghara ebiri ebi. Ebumnuche bụ ịmepụta ihe olu siri ike ma na-adọrọ manya anya mgbe a na-ebelata ojiji ihe ma na-eme ka arụmọrụ nhazi dị mma. E mere usoro ọrụ a n'ụzọ nnwale ozugbo, ebe a nwalere usoro ịkpụ na ịgbagọ dị iche iche iji nweta mgbanwe na ọdịdị achọrọ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Zig Zag Usoro Ọla Ịchọ Mma Nke Oge A meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Zig Zag Usoro Ọla Ịchọ Mma Nke Oge A ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Zig Zag Usoro Ọla Ịchọ Mma Nke Oge A na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
Nha & Mkpuchi: Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart.
Mkpado: from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
Teknụzụ Mmepụta: Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts.
Ịma Aka Imepụta: For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
Nchọpụta: From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
Mkpali: When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
Oge Ọrụ: The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
Usoro Ọrụ: Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
Patentị: Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
Ndị Otu: Mayte Ossorio Domecq
Asụsụ Foto: Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino