Maldivian Fishermen Video nke Aishath Naajila

Ihe emepụtara bụ Maldivian Fishermen Video nke Aishath Naajila bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ihe Nkiri, Vidio na Eserese Na-agagharị.

ỌlaọchaIhe Nkiri· 2026

Maldivian Fishermen Video

nke Aishath Naajila

Onye Ahịa: Two Thousand Isles

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ihe Nkiri

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #183833

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Maldivian Fishermen Video

Ihe nkiri Ndị Ọkụ Azụ Maldives na-egosipụta ụzọ ọdịnala nke iji naanị otu osisi na eriri iji gbuo azụ tuna na Maldives, usoro na-adịgide adịgide nke a na-akọwakarị dị ka ndụ nke mba agwaetiti ahụ. Site n'ọgbọ ruo n'ọgbọ, tuna abụrụla nri isi nke na-akwado ndụ kwa ụbọchị n'ofe agwaetiti niile. Site n'iji ụzọ ịkọ akụkọ jiri anya ngwa nkiri na nhazi ụda na-emikpu mmadụ, ọrụ a na-ejide ndị ọkụ azụ nwere nkà na-arụ ọrụ n'usoro dị n'otu n'elu Dhoni ọdịnala, na-eweta ahụmịhe ahụ n'ọwa ụwa niile.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Maldivian Fishermen Video meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Maldivian Fishermen Video ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Maldivian Fishermen Video bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This is an independently produced documentary visual project capturing the traditional pole-and-line fishing practice in the Maldives. Created during COVID-19 while in isolation at sea, it combines cinematography, sound design, and immersive storytelling. Its strength lies in its authenticity, produced within real conditions of isolation, offering an intimate, unfiltered portrayal of Maldivian fishermen. The work stands out for its experiential approach, blending heritage, resilience, and cinematic realism.
Nha & Mkpuchi: Shot aboard a 100-foot pole-and-line fishing dhoni, the project documents Maldivian fishermen working at sea with precise, coordinated movements resembling a disciplined system. Through aerial perspectives, it captures the ocean’s food chain in motion, sharks, skipjack tuna, and fishermen, framing these moments to reflect the deep connection between this traditional practice and the Maldives’ identity and way of life.
Mkpado: sustainable, fishing, pole and line, Maldives, tuna, ocean, documentry
Teknụzụ Mmepụta: Filmed on a Sony A7 III with 35mm, 85mm, and 70–200mm lenses, with aerials via DJI Phantom 4 and underwater footage on a GoPro during freediving, the project was produced independently,covering planning, real-time filming, editing, sound design, and colour grading. An unobtrusive approach allowed fishermen to work naturally, ensuring an authentic, unstaged portrayal without direction.
Ịma Aka Imepụta: The project faced logistical constraints, including limited equipment, a single drone battery requiring precise planning, and long waits for unpredictable moments at sea. The first four days saw no catch due to bait shortages, and underwater footage relied solely on a GoPro. Adapting strategically, key moments were captured to form an authentic narrative of the fishermen’s practice and the ocean’s food chain.
Nchọpụta: Documentary visual research on sustainable pole-and-line fishing in the Maldives. Field-based observation and immersive filming were conducted over 8 days in March 2020 aboard a local fishing vessel during the COVID-19 period. Data was collected through photography, film, aerial, and underwater footage. Participants included local fishermen. The results highlight ecological balance, resilience, and coordination. The impact emphasizes cultural preservation and awareness of sustainable fishing practices.
Mkpali: Inspired by a lifelong curiosity about fishing in the Maldives, the project evolved through Two Thousand Isles, where travel deepened an interest in storytelling and lived experience. While learning freediving, the filmmaker joined an eight-day trip on a local boat, living at sea, waking before dawn and at midnight, eating the catch, and observing the ocean’s food chain in motion.
Oge Ọrụ: Filmed over eight days aboard a fishing vessel in March 2020, during the early stages of COVID-19, the project was later completed with full post-production, editing, sound design, and colour grading, independently carried out later that year.
Usoro Ọrụ: Operated on a traditional pole-and-line dhoni, the method relies on coordinated teamwork and timing rather than machinery. Fishermen attract skipjack tuna with live bait, triggering a feeding response where fish are hooked individually. Key moments, bait release, surface frenzy, precise catching, transform ocean activity into a sustainable harvest, reducing bycatch and ensuring quality, rooted in skill, patience, and harmony with marine life.
Patentị: All the copyrights belong to Aishath Naajila, 2023.
Asụsụ Foto: Videography & Photography: Aishath Naajila