Zijin Art Museum インテリアデザイン by The Design Code Co.,Ltd

Zijin Art Museum インテリアデザイン by The Design Code Co.,Ltd is a highly esteemed winner of the very prestigious 2023 A' Design Award 銀賞 in インテリア空間・展示デザイン Competition Category.

銀インテリア· 2023

Zijin Art Museum インテリアデザイン

by The Design Code Co.,Ltd

Client: The Design Code CO.,LTD

A' Design Award 銀賞 Winner in インテリア Category

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Verified Award Winner

Verify Award Status for #148068

View at A' Design Award Press Release Award Badge

Colors

The Design

About Zijin Art Museum インテリアデザイン

紫金美術館は、1,200平方メートルに及ぶ2フロア構成のアートギャラリー兼販売センターのインテリアデザインである。テーマは「秩序と芸術」であり、境界のないデザインというコンセプトに基づいている。1階にはエントランスホール、レセプションカウンター、モデルルーム、工芸品の展示スペースを配置。2階にはブランドムービーエリア、サンドテーブル(模型)エリア、ウォーターバー、商談エリアを設けている。垂直方向の階段が2つのフロアをつなぎ、環状の動線が各空間を結び付けている。木質化粧板、石材、特殊塗装、金属を全体にわたって組み合わせている。

The Recognition

About the A' Design Award 銀賞

Zijin Art Museum インテリアデザインは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Zijin Art Museum インテリアデザインは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Zijin Art Museum インテリアデザインは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This design themed in “Order · Art” infuses the design concept of “Unbounded Design”, highlights the quiet and calm exterior in the form of interspersing, stacking, turning, priority level, order and other modern architecture design techniques, and creates a spatial aesthetic art gallery with modern, narrative, guiding and local poetic features.
Dimensions & Packaging: The building covers an area of 1,200m2 and is composed of two floors, the first floor is front hall, reception desk, model room and craft show, and the second floor is brand video display area, sand table area, water bar area and negotiation area.
Tags: Art Gallery, Modern, Sample Rooms, Sales Center, Aesthetics, Architecture, Interior Design
Production Technology: The project is made of wood veneer, stone, special paint and metal and makes a breakthrough in regrouping and combining different materials.
Design Challenge: In the prior-stage design consideration, how to plan a reasonable layout of three sample rooms and arrange the basic functions in line with the marketing needs on only 1,200 m2 construction site; the slope terrain limits cause poor lighting condition on the first floor, and the landscape on the interface of the building and parking lot is weakly functioning; in addition, the staggered form of building blocks results in cramped interior depth, which is believed to make the design work even more difficult. With the design logic and the moving line direction clarified, the first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area.
Research: As part of the execution strategy of Zijin Art Gallery, the focus on details and daily use of functions is a sort of design attitude that caters to the vested needs and rational persistence. For space experimentation, we make a trade-off between people, architecture and the site area, and exploit appropriate aesthetic ideas to express and cross the venue limits, until the aesthetic characteristics suited to local conditions are shaped.
Inspiration: We try to think about the essence of architecture directed at problem solving, and expect to unleash the most brilliant charm of the city in space. Visitor would be attracted by art and gradually become a part of the space, rather than as a distant onlooker.
Project Duration: This project started the design stage in 2021 and was put into operation and open to the public in 2022.
Operation Flow: With the design logic and the moving line direction clarified, the entrance space is designed with vertical staircase that makes two floors associated. The first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area. All features available on the second floor are independent but associated, the flowing plan layout integrates sight, light, shadow, breath, rhythm and atmosphere, which in turn shapes a poetic and "homogeneous" ordered aesthetic of the space.
Team Members: Xie Fang, Hu Anqi, Zhu Wenjun, Xia Jinbo, Pan Zaojin, Zhang Lingjie