Longhu Lake SK West Lake Stars Amm Adaxli n Wexxam n Uzenzi sɣur Li Liu

Longhu Lake SK West Lake Stars Amm Adaxli n Wexxam n Uzenzi sɣur Li Liu d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LfeṭṭaAgensu· 2020

Longhu Lake SK West Lake Stars Amm Adaxli n Wexxam n Uzenzi

sɣur Li Liu

Amsaɣ: Zhuxiang Design Inc.

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

17,893

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #100336

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Longhu Lake SK West Lake Stars Amm Adaxli n Wexxam n Uzenzi

Longhu Lake SK West Lake Stars d ammuz adaxli n wexxam n uzenzi deg Suzhou, Ṣṣin. Asentel n ustil yebna ɣef yiniten n yitran d yigenni n yiḍ, yeddukel d tarrayt tussurt (post-modern). Yiwet n texxamt s telqeyt n ɛecra imitren tettili d ulmus, s yiɛewwaḍen s ttawil n uqus (arc) d snat-nnac n tediamantin i yfeǧǧiǧen i d-igebbren snat-nnac n ttebruriwin. Initen n wureɣ ttwaqedcen deg tebḥirt tamezwarut ma d azeggaɣ akuralli deg tebḥirt tis snat. Tiɣawsiwin deg-sent llan: lmermer, tilewḥin n ukrilik yettwaseɣnen s yini, tijeǧǧigin n ubelluṛ yefsin s tirɣi, tiferniwin s tcebbakt n uzzal d tferwin n usɣar yettwaseɣnen. Isunan n usawen yeknan (isunan iɣebbaziyen) ttcerriken sin-inn iswiren.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Longhu Lake SK West Lake Stars Amm Adaxli n Wexxam n Uzenzi d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Longhu Lake SK West Lake Stars Amm Adaxli n Wexxam n Uzenzi ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics, where the future meets with palettes of architect Luis Barragan. And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
Tigejdiwin & Akemmus: Main Materials: Gray or white water-stone, Ariston Kalliston marble, colorful acrylic plates, hot-melt glass, metal grid curtain, dyed wooden panels, golden metal plates, griege leather, etc.
Tibzimin: star, poetic,aesthetics, post modern
Tasnakta n Ufares: Business area and service space are set at wing and gray space with its half outside, the service bar counter is available for cares indoors and semi-outdoors. Main colors in the business area origin from cool colors as royal light in polar lights, dotted with few warm colors in order to make clients devoted to listening and feeling. The colors in the area shared by male and female toilets origin from warm colors as coral pink in polar lights, dotted with few cool colors in order to deliver warm and soft emotions. Parts of the wing are made of metal, leather or texture, showing much finer design, and art devices supported by the field features make it available for owners to experience the real aesthetics.A spiral staircase stands at the axis opposite to the major product show area, core of the design quality, the star sculpture displayed below is connected with diamonds on the ceiling lamp, going up along the staircase, brilliant, bright and delicate.
Going from golden color on F1 to the large-size coral pink on F2, owners may experience the showrooms with rhythmic feeling and aesthetic cares.
A dynamic line with a hollow square is designed in the space on F2, where several interactive art devices are set, making owners feel the value necessary for the design and art life.
Asewḥel n Usnulfu: The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics.And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
Anadi: The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics, where the future meets with palettes of architect Luis Barragan. And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
Aseḥbiber: With spaces changed, a 10m high hall comes before eyes, based on the post-modern design logics, it is specially to highlight structural beams in arc, creating a space core pure and mysterious. The golden color in a large size makes the space exquisite but not luxurious. Twelve diamonds, shining, represent twelve constellations in the universe. The core theme at the star aesthetics center shows, the hall is a major point for marketing, where sand table, location, are completely displayed.
Tanzagt n Usenfar: Design Time: Apr 2019
Open Time: Jul 2019
Site: Tongda Road, Wuzhong Development Zone, Suzhou City,China
Tanila n Umahil: The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics, where the future meets with palettes of architect Luis Barragan. And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
Igmamen n Terbaɛt: Designer: Zhuxiang Design Inc.
Chief designer: Li Liu
Imsuren n Tugniwin: Photography: Ruchu Photography Studio