Fab Aḥric agensan n sinima sɣur Xiang Li d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.
LfeṭṭaAgensu· 2021
Fab Aḥric agensan n sinima
sɣur Xiang Li
Amsaɣ: X+Living
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #111752Afeṣṣel
Ɣef Fab Aḥric agensan n sinima
Fab d aḥric agensan n sinima yellan di Xi'an, deg Ccinwa, i yeṭṭfen tajumma n lqaɛa n 1150 n lmitrat mrebbaɛen. Aṣeggem yekkes yiwet n tegnit n uṭṭaf n lfilm ɣer texxamt tameqqrant, s wakka imerza ttuɣalen d imesḥessen deg tilawt yerna d imttekkiyen i d-ttxemmimen deg usuffeɣ n yiwen n lfilm. Lmubilya yettwaxedmen s lqedd tesseǧhad asentel, gar-asent akersi n ubaddu n usired, imukan n usgunfu s ɣur ttexlaqin am tid n imnehhaṛ, akked ṭṭabla n tejṛiwt i yesban am tsenduqt n usektuxem. Yiwen n usqamu n uḍam d isufar n ureggeḥ am tmacint ubelloḍ ddukklen d rebɛa n texxamin n uwali. Isuturen isawaḍen d rrbaḥa n yimukan n imuɣ ttwaḥasben si tazwara alma d taggara.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Fab Aḥric agensan n sinima d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Fab Aḥric agensan n sinima ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
- Tigejdiwin & Akemmus
- The floor area of this project is 1150 sqm.
- Tibzimin
- Li Xiang, retail, cinema, interior design, xliving, China
- Tasnakta n Ufares
- Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
- Asewḥel n Usnulfu
- The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
- Anadi
- Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
- Aseḥbiber
- The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
- Tanzagt n Usenfar
- The project finished in January 2020 in Xi'an, China.
- Tanila n Umahil
- According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
- Igmamen n Terbaɛt
- Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng - Imsuren n Tugniwin
- Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.
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