Staom Jewelry Agilal n Uxxam n Ccbaḥa n Loharat sɣur Rong Zeng

Staom Jewelry Agilal n Uxxam n Ccbaḥa n Loharat sɣur Rong Zeng d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2022

Staom Jewelry Agilal n Uxxam n Ccbaḥa n Loharat

sɣur Rong Zeng

Amsaɣ: Xad

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

9,681

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #126531

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Staom Jewelry Agilal n Uxxam n Ccbaḥa n Loharat

Aḍris n Tektabt: Staom Jewelry d agilal n uxxam n ccbaḥa n loharat i d-yeṭṭfen 200 n lmitrat imrebbaε s teɣzi n uɣrud n 3 lmitrat s telqey. Aslugen-agi yebna ɣef tikti n belli diyamant akked amaḍal meṛṛa d-ttbeggin talaṭṭeεt. Imsagen ttεeddin seg webrid, seg tewwurt di taggara n webrid akked tallunt n lemri, deg yiwet n tsertit i d-yessefhamen tirza seg tmurt ɣer igenwan. Yettwaseqdec lemri n custenless, marmer aberkan n lemri, aḍebsi n lecmenti d ufen d custenless yettwacerḍen. Asemres n lemri d tugniwin ur nesεi ara talɣa tanmeggagt sseεfun anzam n yiḍudan i d-yesbeggnen tallunt am akken ur tesεi ara lḥudud.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Staom Jewelry Agilal n Uxxam n Ccbaḥa n Loharat d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Staom Jewelry Agilal n Uxxam n Ccbaḥa n Loharat ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Staom Jewelry Agilal n Uxxam n Ccbaḥa n Loharat yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This is a space about the universe and jewelry.
The project is characterized by the space created by narrative space techniques and immersion experience, and is not a project according to local conditions. It is more like making a movie, from the corridor at the door, the entrance at the bottom of the aisle, and the space space reflected by the wall after turning around, is a process from the earth, to the space-time tunnel, and finally appears in space.
Tigejdiwin & Akemmus: The project covers an area of 200 Square meters, with a floor height of about 3 meter.
Tibzimin: Universe, Love, Jewelry, Retail, Narrative space
Tasnakta n Ufares: Mirror stainless steel, black mirror marble, cement art paint, drawing stainless steel
Asewḥel n Usnulfu: We have broken all the structures that make people feel like walls, and restored the space to a chaotic and profound universe by using specular reflection and irregular deconstruction modeling. As for the emotional space, we think that the development of the Internet now makes more and more young people stop on the mobile phone interface and almost forget the wonderful outside world. Because of the project, Party A's monthly turnover has reached an all-time high even before its opening.
Anadi: This project mainly studies the future of narrative emotional space in the business field. When we got the project at the beginning, it didn't even have a name. We designed the whole process from conception, creativity, to naming conception, and finally presented spatial narrative. The reason why it is a narrative space is that the original intention is to treat the project as a movie. The whole space sells diamonds and other jewelry. Most of the demand scenes for diamonds are related to love.
Aseḥbiber: The idea of creativity comes from the understanding of diamonds. Diamonds represent eternity. In the whole world, the only one that can represent eternity is probably the universe. If we hope for love with eternity, we are just like expecting each other to be like stars in the universe, to shine and cherish each other.
In order to express the boundless vision of the universe, we try to break the space constraints and make the space appear boundless.
Tanzagt n Usenfar: The project started in December 2020 in JIANGYIN and finished in April 2021 in JIANGYIN.
Tanila n Umahil: Among all things, only the universe can express eternity and mystery. The materials of the project are relatively simple, but the presentation of space is unconventional, trying to create a sense of the vast universe. We have broken all the structures that make people feel like walls, and restored the space to a chaotic and profound universe by using specular reflection and irregular deconstruction modeling.
Igmamen n Terbaɛt: Rong Zeng
Imsuren n Tugniwin: Photographer: Shenghui