By Beth I appreciate your request, but I must be transparent about a significant limitation: I cannot provide a reliable, professional-quality translation of this technical design content into Kabyle. sɣur Angela Spindler

By Beth I appreciate your request, but I must be transparent about a significant limitation: I cannot provide a reliable, professional-quality translation of this technical design content into Kabyle. sɣur Angela Spindler d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ukemmus.

DdhebAkemmus· 2022

By Beth I appreciate your request, but I must be transparent about a significant limitation: I cannot provide a reliable, professional-quality translation of this technical design content into Kabyle.

sɣur Angela Spindler

Amsaɣ: Depot Creative

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Akemmus

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #137495

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef By Beth I appreciate your request, but I must be transparent about a significant limitation: I cannot provide a reliable, professional-quality translation of this technical design content into Kabyle.

While I have some knowledge of Kabyle (Taqbaylit), the highly specialized design and packaging terminology in this content requires:

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

By Beth I appreciate your request, but I must be transparent about a significant limitation: I cannot provide a reliable, professional-quality translation of this technical design content into Kabyle. d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. By Beth I appreciate your request, but I must be transparent about a significant limitation: I cannot provide a reliable, professional-quality translation of this technical design content into Kabyle. ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Material selection was used to influence the consumer's perception from the initial impression to a later considered appraisal. The vessel combines glass and wood. Luxury is secured through an elegant, blended conical form with flowing surfaces influencing desirability and relevance. Sustainability is achieved through material usage and reuse of the vessel—employing a refill system. Its' packaging with a colour palette of dark green and light pastel hues, using high quality materials, structures and subtle print finishes created a tangible sense of both luxury and prestige.
Tigejdiwin & Akemmus: The packaging consisted of a primary rigid box / core flute shipper / wrapping paper / stickers / large satchels / postcards / pouches / sachets and pulp boxes and sleeves.
Tibzimin: Beauty, Luxury, Premium
Tasnakta n Ufares: Where possible all materials were selected based on their environmental credentials, ranging from the use of post-consumer waste, FSC papers and soy-based inks.

A range of bamboo pulp boxes was used for travel sachets, to provide both protection, be light weight aw well as home-compostable.
Asewḥel n Usnulfu: From the initial briefing to the mass production of the vessel, we had a 6 month window only. This gave very little time for full prototyping and testing as we would normal have.
Anadi: The luxury category, particularly within the beauty segment has been subject to criticism for its excessive use of packaging, plastic and general packaging waste. By Beth has sustainability at its core, therefore all materials were selected based on their environmental credentials. Materials were printed using soy-based inks, where possible recycled content, pulp and FSC paper. We were able to create a prestigious perception but not to the detriment of sustainability. The dark, green selected for its representation of the natural Australian flora and fauna.
Aseḥbiber: Beauty, consciously considered. Depot was commissioned to create a visual identity system and packaging design, including a bespoke vessel for this luxury atelier. Simplicity, sustainability and social responsibility sit as key strategic pillars and therefore drove all packaging decisions. Depot worked with industrial designers to create a bespoke form that fulfilled the brief of luxurious and sustainable. The bespoke vessel and subsequent packaging give the product value and cachet.
Tanzagt n Usenfar: June 2020-July 2021, Sydney Australia
Tanila n Umahil: The vessel is packaged in a rigid, lidded box. It is shipped in a coreflute shipper.
Igmamen n Terbaɛt: Creative Director: Angela Spindler
Industrial Designer: Charlie Payne
Industrial Designer: Andrew Simpson