Ɛeddi ɣer ugbur
Movie Boxed Tajewwiqt n Tsallit sɣur Shaoyang Chen

Movie Boxed Tajewwiqt n Tsallit sɣur Shaoyang Chen d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Uselɣu, Azuzen d Teywalt.


LbrunzAselɣu· 2023

Movie Boxed Tajewwiqt n Tsallit

sɣur Shaoyang Chen

Amsaɣ: AyDaDa

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Aselɣu

32,739

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #146280

Initen

Afeṣṣel

Ɣef Movie Boxed Tajewwiqt n Tsallit

Movie Boxed d tajewwiqt n tsallit i d-yettwaxedmen i uzwir n ufilm Boxed. Tajewwiqt-agi tewwi-d asnamek n usenduq deg yal aseqdec-is. Tigejda n uzwar, tirigal n taggara, apuster, avilet, ibitaqa n uḍris, izriren n uɣil akked upuster n tallelt n ubus ttabaɛen akk yiwet n tikti. Tira tettwaxedem s tuɣac n usenduq iǧehden, ula d ticraḍ n uɣmis țțilin deg-s. Tira n umezruy uzemmur akked uɛeẓẓug tettemṣada d yiniten iqburen n ufilm. Izriren n uɣil, i d-icabin ilexraf, ttunefken i imassanen deg tewwurt n texxamt n usuffeɣ.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Movie Boxed Tajewwiqt n Tsallit d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Movie Boxed Tajewwiqt n Tsallit ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Movie Boxed Tajewwiqt n Tsallit yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
In this campaign, we aim to bring an immersive experience to the audience at the premiere of the movie Boxed, written and directed by Alam Virk. As we follow the main character, Andy Whiteman, we are forced to confront the reality that we too are often fed with modern culture and trapped in a vacuum of superficial living. Through various mediums, including posters and wristbands with curated copywriting, we seek to reinforce the movie's theme and deepen the audience's understanding of the void state of being portrayed on the screen.
Tigejdiwin & Akemmus
27 x 40 inch Poster, 14 seconds of Title Sequence, 8 seconds of Ending Credits, 6 seconds of Bus Stop Motion Poster, 1 Wristband, 1 Ticket,
Tibzimin
Branding, Campaign, Graphic Design
Tasnakta n Ufares
VFX for Title Sequence and End Credits, Poster, Ticket, Press Pass, Wristband, and Motion Graphics for the Trailer and Bus Stop Advertisement
Asewḥel n Usnulfu
We are faced with the challenge of how to intrigue the audience without telling the full story of the movie.
Anadi
For the typeface choice, since the movie color plate is quite vintage and the plot is suffocating, I chose a condensed, thick and historical typeface that fits the movie's story.

This campaign also tries to carry the box metaphor throughout. As for the ending credits, most typography layouts are rigid box shapes, including punctuation marks, to emphasize the box concept. Wristbands look similar to handcuffs. And from an architectural standpoint, the screening room is a box made of concrete. To leave more impression on the audience, we also distribute wristbands that say" boxed, aren't we" as they enter the screening room.
Aseḥbiber
All applications are reinforcement of the idea of being boxed. For the opening title, the main character rips off the film title. For the ending credits, to emphasize the box concept, most typography layouts are rigid box shapes, including punctuation marks. At the premiere night, the stuff pass is tagged with the slogan we are boxed as the punchline for the event. Waistbands that say boxed, aren't we are distributed as the audience enters the screening room.
Tanzagt n Usenfar
This project started in August 2022 and finished in November 1, 2022 in New York, NY.
Tanila n Umahil
Considering this movie is the second film from an award-winning indie director, the whole campaign needs to be tailor-made. The logic of this campaign is to serve the story. Each application speaks to the scene in the movie and emphasizes the box metaphor.
Ibrivan
Copyrights belong to Alam Virk and Shaoyang Chen
Imsuren n Tugniwin
Writer and Director / Alam Virk
Executive Producer / Guljar Singh
Produceder / JR Cardona
First Associate Director / Sarab Sahni
Second Associate Director / Vittoria Giacomini
Script Supervisor / Vittoria Giacomini
Production Designer / Ant Ma
Production Design Assistants / Erica Zhang & Shuquing Zhang & Laila Matuk
Director of Photography / Yuanhao Zhang
First Assistant Camera / Ananyaa Dave
Gaffer / Aman Tulsian
Key Grip / Kgositielle Maleka
Best Person / Justin Cambrelen
Production Sound / Trevor Misplay & Daniel DeGeorges
Coloris / Yuanhao Zhang & Sarab Sahni
Editor / Sarab Sahni & Alam Virk
Sound Synching / Reuben Rojak
Sound FX/ Design Sound Mixing & Music / Marlon Fraser
Make-up/Hair / Kelli Hauber

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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