Zijin Art Museum Aseɣwes n Daxel sɣur The Design Code Co.,Ltd

Zijin Art Museum Aseɣwes n Daxel sɣur The Design Code Co.,Ltd d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LfeṭṭaAgensu· 2023

Zijin Art Museum Aseɣwes n Daxel

sɣur The Design Code Co.,Ltd

Amsaɣ: The Design Code CO.,LTD

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

14,557

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #148068

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Zijin Art Museum Aseɣwes n Daxel

Zijin Art Museum d aseɣwes n daxel i yiwet n texxamt n tẓuri d wammas n uznuzu yesɛan sin n leswaq, yeṭṭfen 1.200 lmitrat imkuẓen. Asentel-is d Anagraw d Tẓuri, yebna ɣef tikti n useɣwes war tilisa. Aswir amezwaru yegber azal n zdat, ṭṭabla n usnubget, taxxamt n umedya akked usken n tinḍi. Aswir wis sin yegber tamnaḍt n uvidyu n tmarka, tamnaḍt n ṭṭabla n yijdi, lbar n waman akked tmnaḍt n yimyannanen. Yiwen n uskalu ibedden yezdi sin n leswaq, ma d iberdan n tikli d iwennaɣen zdin timnaḍin. Asɣar arqaq, aẓru, aklaɣ uzzig akked wuzzal ddukklen deg umkan meṛṛa.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Zijin Art Museum Aseɣwes n Daxel d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Zijin Art Museum Aseɣwes n Daxel ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This design themed in “Order · Art” infuses the design concept of “Unbounded Design”, highlights the quiet and calm exterior in the form of interspersing, stacking, turning, priority level, order and other modern architecture design techniques, and creates a spatial aesthetic art gallery with modern, narrative, guiding and local poetic features.
Tigejdiwin & Akemmus: The building covers an area of 1,200m2 and is composed of two floors, the first floor is front hall, reception desk, model room and craft show, and the second floor is brand video display area, sand table area, water bar area and negotiation area.
Tibzimin: Art Gallery, Modern, Sample Rooms, Sales Center, Aesthetics, Architecture, Interior Design
Tasnakta n Ufares: The project is made of wood veneer, stone, special paint and metal and makes a breakthrough in regrouping and combining different materials.
Asewḥel n Usnulfu: In the prior-stage design consideration, how to plan a reasonable layout of three sample rooms and arrange the basic functions in line with the marketing needs on only 1,200 m2 construction site; the slope terrain limits cause poor lighting condition on the first floor, and the landscape on the interface of the building and parking lot is weakly functioning; in addition, the staggered form of building blocks results in cramped interior depth, which is believed to make the design work even more difficult. With the design logic and the moving line direction clarified, the first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area.
Anadi: As part of the execution strategy of Zijin Art Gallery, the focus on details and daily use of functions is a sort of design attitude that caters to the vested needs and rational persistence. For space experimentation, we make a trade-off between people, architecture and the site area, and exploit appropriate aesthetic ideas to express and cross the venue limits, until the aesthetic characteristics suited to local conditions are shaped.
Aseḥbiber: We try to think about the essence of architecture directed at problem solving, and expect to unleash the most brilliant charm of the city in space. Visitor would be attracted by art and gradually become a part of the space, rather than as a distant onlooker.
Tanzagt n Usenfar: This project started the design stage in 2021 and was put into operation and open to the public in 2022.
Tanila n Umahil: With the design logic and the moving line direction clarified, the entrance space is designed with vertical staircase that makes two floors associated. The first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area. All features available on the second floor are independent but associated, the flowing plan layout integrates sight, light, shadow, breath, rhythm and atmosphere, which in turn shapes a poetic and "homogeneous" ordered aesthetic of the space.
Igmamen n Terbaɛt: Xie Fang, Hu Anqi, Zhu Wenjun, Xia Jinbo, Pan Zaojin, Zhang Lingjie