Cense of Poem Tawhemt n Lbaxur sɣur Wei-Hsuan Liu and Hsin-Hsuan OuYang

Cense of Poem Tawhemt n Lbaxur sɣur Wei-Hsuan Liu and Hsin-Hsuan OuYang d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ukemmus.

LbrunzAkemmus· 2023

Cense of Poem Tawhemt n Lbaxur

sɣur Wei-Hsuan Liu and Hsin-Hsuan OuYang

Amsaɣ: A Cense of Poem

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Akemmus

11,299

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #149224

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Cense of Poem Tawhemt n Lbaxur

Cense of Poem d asuneɣ n uḍebsi i lḥellufat n lbaxur. Asenduq yettwaxdem s uɛekkaz asfilelfay (acrylic) s unɣal s ccua‑x (laser engraving). Asenduq iban seg daxel, ttwaggen-t d amatte, iɛawan ad d-yessken talɣa akked wammud n dexxan. Ini n yisenduqen yemṣada d yini n lḥellufat n lbaxur i gellan daxel-nsen. Yal asenduq yesɛa asuneɣ n tugna i yemṣadan akked rrayḥa n lḥellufat i gellan daxel-s. Krad tseddawiyin s ini awraɣ, aquamarine (azegzaw-abḥri) akked amidad, ttbeggint-d aḥric (comma), tissirt tuɣzift (dash) akked ticceṭ n uhewwas (exclamation mark). Asuneɣ n uḍebsi yebɣa ad d-yefk tirmit tamnadmant s tɣawla ara yeǧǧen anẓul n lɣella d wayen isirren, ara yesnernin lḥiss d yiwet n tegnit d taẓidant akked d tuffra.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Cense of Poem Tawhemt n Lbaxur d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Cense of Poem Tawhemt n Lbaxur ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Cense of Poem Tawhemt n Lbaxur yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The translucent box with matte wrapping concretizes the shape and flow of the smoke. The different colors of the boxes correspond to the various colors of the incense sticks. The specific graphic design on each type of box goes along with the features and the taste of the smells of the incense sticks inside. Overall, with this external design, we try to deliver a mysterious and poetic image.
Tigejdiwin & Akemmus: large 110mm*110mm*40mm
small 70mm*70mm*55mm
Tibzimin: Incense, Poetic, Fragrance, Package, Brand Identity
Tasnakta n Ufares: The box is made of acrylic with laser engraving.
Asewḥel n Usnulfu: There are two main challenges that we have encountered. The first one is to select the elements we want to use in the products to drive the users into a specific situation while distinguishing the difference between series. And the second one is to convey and express the origin, intention, and meaning of our design to the other end through the outer packaging.
Anadi: The primary concern of our design is to conceptualize the sensory experience the users have while burning the incense. We started the research by conducting data collection and general analysis and went through the process of discussion and irritative revisions in the studio. At last, we’re able to imagine the situational atmosphere that we want users to immerse in and connect users to this abstract feeling through a combination of the presence of outer packaging and the taste of the smell.
Aseḥbiber: The keyword of the design is “poetry”, in which we believe that life itself is a piece of poetry and we are all writers of our own lives. The incense itself represents the characters of the text, and the incense holder, as a counterpart, is the paper that carries the emotions which are released from the words and lines. Finally, the box binds these two materials together and makes them a complete integration. These three series in three different colors symbolize different marks that are commonly seen in our daily life. They are, comma (yellow), which means the pause and break time we always need, dash (aquamarine), which means the continuity of life, and exclamation mark (purple), which means unexpected surprise and expectation toward the upcoming future.
Tanzagt n Usenfar: The project started in Taichung, Taiwan in August 2022. Completed in Taichung, Taiwan in April 2023, and exhibited in Taipei, Taiwan in May 2023.
Tanila n Umahil: First, to start the journey of sensory, scan the pattern and words on the box with your eyes before opening it. Then, open the lid, place the incense holder, and take out and hold the incense sticks by hand. Finally, light up the incense sticks, immerse yourself in the misty atmosphere, and enjoy the scent with your sense of smell.
Igmamen n Terbaɛt: Wei-Hsuan Liu
Hsin-Hsiu OuYang
Imsuren n Tugniwin: Wei-Hsuan Liu, Photographer, 2023.
Hsin-Hsiu OuYang, Photographer, 2023.