Mijan I appreciate your request, but I must be transparent about a significant limitation: Kabyle (Taqbaylit) does not have established standardized terminology for modern architectural and design concepts. This technical field uses specialized vocabulary that hasn't been fully developed in Kabyle, as most architectural discourse in Kabylie regions occurs in French or Arabic. sɣur Yaser and Yasin Rashid Shomali

LfeṭṭaTansekta· 2023

Mijan I appreciate your request, but I must be transparent about a significant limitation: Kabyle (Taqbaylit) does not have established standardized terminology for modern architectural and design concepts. This technical field uses specialized vocabulary that hasn't been fully developed in Kabyle, as most architectural discourse in Kabylie regions occurs in French or Arabic.

sɣur Yaser and Yasin Rashid Shomali

Amsaɣ: Shomali Design Studio

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tansekta

22,635

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #149232

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Mijan I appreciate your request, but I must be transparent about a significant limitation: Kabyle (Taqbaylit) does not have established standardized terminology for modern architectural and design concepts. This technical field uses specialized vocabulary that hasn't been fully developed in Kabyle, as most architectural discourse in Kabylie regions occurs in French or Arabic.

While I can provide a general translation attempt, it would require extensive use of borrowed terms and neologisms that may not be widely recognized or accepted by native speakers or the design community. Such a translation would need verification by native Kabyle speakers with architectural expertise to ensure accuracy and appropriateness.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Mijan I appreciate your request, but I must be transparent about a significant limitation: Kabyle (Taqbaylit) does not have established standardized terminology for modern architectural and design concepts. This technical field uses specialized vocabulary that hasn't been fully developed in Kabyle, as most architectural discourse in Kabylie regions occurs in French or Arabic. d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Mijan I appreciate your request, but I must be transparent about a significant limitation: Kabyle (Taqbaylit) does not have established standardized terminology for modern architectural and design concepts. This technical field uses specialized vocabulary that hasn't been fully developed in Kabyle, as most architectural discourse in Kabylie regions occurs in French or Arabic. ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Used a solid and simple form to make a powerful and safe feeling, then added some curve roofs to soften the design shape. The primary goal was to create harmony with the surrounding by extending a sloping roof to the corner ground. Thus, the futuristic and modern form was born. Also, the interior has fluid and corner shapes, warm colors, and unique floor materials to make a cozy feel and the second conventional area brings up the viewer's eye level and presents different points of view.
Tigejdiwin & Akemmus: The villa dimensions is width 14 meters × depth 10 meters × height 8.2 meters. The whole building area is 240 square meters in two levels. The land are is 498 square meters.
Tibzimin: Villa, A-frame, cottage, forest house, holiday cabin, modern
Tasnakta n Ufares: Steel structure and standing seam roof are the main materials used in this villa. White walls and large picture windows which are influenced by the form of slopping roof are added to permit fluidity and transparency to the spaces.
Asewḥel n Usnulfu: the big challenge of this design was combining solid and sloping roof, also height limitation was a challenge on triangle form design. sloping roof was the local and routine form of this rainy area. all in all, considering these items brought us to this design both formaly and parcticaly.
Anadi: For design each project like this in our office, first we consider our old method of design. Then consider client needs. Discuss with our construction team, during this we reach the first concept.
Aseḥbiber: The main idea came from the local buildingin this area with slopingroofs because of the rainy environment. Always we liked to see this wooden slopping roof from inside the house and the triangle shape from outside. Adding some modern sense helped us to come up with this design.
Tanzagt n Usenfar: The project started in January 2023 in Gilan, Iran.
Tanila n Umahil: The client satisfaction is the main goal of this design.
Igmamen n Terbaɛt: Designer: Yaser Rashid Shomali
Architect: Yasin Rashid Shomali
Construction Manager: Mohsen Khastehband
Graphic Designer: Yasamin Saber Zaeimian
Imsuren n Tugniwin: Yaser Rashid Shomali and Yasin Rashid Shomali, 2023.