Holy Sky Asnas n Wagens Adigan sɣur Jyun Shen Zeng

Holy Sky Asnas n Wagens Adigan sɣur Jyun Shen Zeng d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2025

Holy Sky Asnas n Wagens Adigan

sɣur Jyun Shen Zeng

Amsaɣ: Kensing Interior Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

10,171

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #164377

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Holy Sky Asnas n Wagens Adigan

Holy Sky d asnas n wagens adigan i yettwaxedmen i wagens Amasiḥi deg Taïwan. Axxam-agi n 130 lmitr amrabaɛ, yesseqdac izirig n usebter akken ad d-yebeggen agdud n tiliviziun d wemḍiq n tudert, iteddu ar udɣaɣ akken ad d-yefk tugna am wemsalu. Tafat n uẓru tettbeggin-d iberdan n tafat i d-yettadren seg ufella, mgeraden deg tewwurt takuṛiwant i yeqqnen tlata n tebbura. Aẓwel uldi yeqqen imukan yerna ad d-yessishel aseqdec n wemḍiq. Ammud n izirig d yiniyen ittwaxedmen deg wudmawen akken ad d-rnun timmara. Aḍebsi azegzaw yeẓẓun s ubrid, akked lxizanat yellan zemren ad ttwabeddlen, ssenqasen ayen ara yettwaḍeggren deg lweqt i d-iteddun.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Holy Sky Asnas n Wagens Adigan d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Holy Sky Asnas n Wagens Adigan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Holy Sky Asnas n Wagens Adigan yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: We created a symbol of Jesus’s arrival within the space, using floor boundary lines to define the TV wall and living area, extending all the way to the wall to form a cross-like image.
The surrounding ceiling lighting resembles rays of light pouring down from the heavens, converging in a circular corridor that seamlessly connects the three doors, creating a unique atmosphere within the space.
Tigejdiwin & Akemmus: This space is 130 square meters.
Tibzimin: sacred,continue,light,arc,cross,natural
Tasnakta n Ufares: In the future, environmental protection on Earth will be a necessary consideration. Therefore, green materials were chosen for the paint.
Durability was also taken into account to reduce the need for repeated applications and minimize waste.
For the cabinetry, flexible designs were used, allowing for adaptability in future updates or space innovations.
This ensures that the cabinets can be continuously reused, reducing environmental waste and enhancing the potential for green materials and recycling.
Asewḥel n Usnulfu: In use, we need to consider different age groups, as their reach and habits vary. Therefore, we designed everything with ease of access and convenience in mind.
Whether it's the simple and intuitive color schemes or the natural flow of movement within the space, everything is aimed at improving the usability and functionality of the environment for users.
Anadi: In our spatial design, we considered how to use the most efficient method to maximize the space's benefits without wasting any small areas, while also ensuring the overall aesthetics create a pleasant experience for users.
We used an open-plan layout to establish spatial connections and expanded space usage by overlapping areas. As a result, we created a comfortable living environment and enhanced interaction for multiple users within the same space.
Aseḥbiber: We drew inspiration for the design from Christianity. Since the users are a devout Christian family, we envisioned rays of light descending from heaven and the imagery of the cross, as well as using simple materials to shape the overall design in terms of form, color, and texture.
We also incorporated layers of light and shadow from the heavenly light, creating a sacred, simple, and natural spatial environment.
Tanzagt n Usenfar: Start in Taiwan in January 2024 and complete in Taiwan in September 2024
Tanila n Umahil: We used similar materials and colors for the various surface finishing needs. Whether it's the special paint for the TV wall, the cabinet doors in the entryway, or the flooring materials, everything is matched under the same theme.
This approach creates maximum harmony in the overall space, allowing each area to feel coordinated within the entire environment.
This, in turn, draws the user's attention and enhances their satisfaction with the space.
Igmamen n Terbaɛt: Director JYUN SHEN ZENG
Imsuren n Tugniwin: Chen Yun Chi，Holy，2024