Shibuya Tsutaya Asegrew Anezzan sɣur Tonerico:Inc. d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.
LfeṭṭaAgensu· 2026
Shibuya Tsutaya Asegrew Anezzan
sɣur Tonerico:Inc.
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #174328Afeṣṣel
Ɣef Shibuya Tsutaya Asegrew Anezzan
Shibuya Tsutaya d asegrew anezzan yellan deg umkan n Shibuya Crossing di Tokyo. Lebni yettwakkes armi d taɣessa-s tamagnut, ma d tallunin ilmawen sdukklent s yiferdisen s yini aɣebri iwakken ad d-tili tferka tarawsant. Yal aswir seg sin iswiren n ddaw tmurt akked sebɛa iswiren ufellan ɣur-s udem-is, maca yal tamnaḍt tettwaǧǧa s lebɣi ur tekfi ara iwakken ad yili ubeddel ɣer sdat. Iferdisen ur nelli ara d ixataren ttwakksen iwakken ad d-ilint temẓriwin tifrarayin akked tuzzya tafessast. Azal n 500 n yimukan n uqqim akked yimniren imuṭṭunen qeddcen ɣef yinerza, yerna agdil ameqqran yellan ɣef wudem n lebni yesskanay-d isallen akked telɣut ɣef tedyanin.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Shibuya Tsutaya Asegrew Anezzan d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Shibuya Tsutaya Asegrew Anezzan ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- Shibuya TSUTAYA was stripped down to its structural skeleton, with the raw space unified in gray materials to create contrast with later-added elements and to preserve an “unfinished” canvas throughout the building.
While each floor maintains its unique character, no area is ever fully designed—each is intentionally left open-ended. This deliberate unfinished incompleteness suggests the potential for future transformation. - Tigejdiwin & Akemmus
- On the first floor, the entrance was widened by adjusting the angle of the sash doors, and a secondary entrance was added on the Center-Gai shopping street side along the diagonal axis.
To accommodate the building's complex layout, comprising two basement levels and seven floors above ground, and its reliance on escalators for vertical circulation, all non-essential elements beyond regulatory requirements were removed to create a clear, connected spatial flow with uninterrupted sightlines. - Tibzimin
- Shibuya, TSUTAYA, Renewal, Unfinished Space, Skeletonization, Flexible Space, Commercial Facility, Visual Connectivity, Dynamic Design, Evolving City
- Tasnakta n Ufares
- To maximize the floor area on every level, the core zones—including back-of-house spaces—were organized so that, even in their bare state, they serve as a neutral spatial backdrop.
Alongside this structural skeletonization, the bare spaces were unified with gray materials to distinguish them from the elements inserted later, intentionally leaving a gray “canvas” throughout the space. - Asewḥel n Usnulfu
- Since visitors come from diverse countries and regions, the circulation plan needed to be intuitive and encourage proactive movement.
Additionally, to facilitate information access within the facility, strategically placed digital directories provide updates using minimal text and strong visuals—benefiting users while also easing operational demands. - Anadi
- Shibuya is a town where people from many different countries, regions, and generations come and go. Therefore, we conducted thorough research on the surrounding area. We surveyed people in the town to learn what they currently need and what is lacking, and we reflected these findings in the floor layout. For example, many respondents noted a lack of places to rest, so we decided to include approximately 500 seats in the facility.
- Aseḥbiber
- Shibuya is a hub of creative energy—constantly evolving, and defined by its openness to change and its allure as an unfinished city. This nature inspired the project’s core concept: “leaving space unfinished.”
The concept took years to develop, beginning with a full structural reset to explore the site's potential. Located directly at Shibuya Crossing, the design reimagines how the space can respond to the present moment and act as a new cultural platform. - Tanzagt n Usenfar
- The project was launched in Tokyo on March 5, 2021, and opened in Shibuya, Tokyo on April 25, 2024.
- Tanila n Umahil
- Situated at the iconic Shibuya Crossing—where approximately 500,000 people pass daily—the building’s façade features a large LED screen designed for visibility from multiple angles.
This screen continually broadcasts not only in-house event updates but also news and timely advertisements, transforming the architecture into a dynamic hub that connects the city, its people, and businesses. - Igmamen n Terbaɛt
- Hiroshi Yoneya
Ken Kimizuka
Kai Kitahara
Momo Suzuki - Imsuren n Tugniwin
- Main Image: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #1: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #2: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #3: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #4: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
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