Saikai Izakaya Aseɣwes n daxel n usečču sɣur Pang Ka I

Saikai Izakaya Aseɣwes n daxel n usečču sɣur Pang Ka I d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2026

Saikai Izakaya Aseɣwes n daxel n usečču

sɣur Pang Ka I

Amsaɣ: Decologics Stuido

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

7,428

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #177234

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Saikai Izakaya Aseɣwes n daxel n usečču

Saikai Izakaya d aseɣwes n daxel n usečču yellan di Lisbun, di Purtugal. Amkan-a amecṭuḥ n 263,57 n lmitrat imkuẓen ibḍa ɣef 23 n yiḥricen yemyeqqnen, i d-yusan seg tikti n taddart n yiṣeggaḍen n Japun. Inebgawen keččmen-d seg wudem n ssuq yettwaɣummen s walim, ttɛeddin sdat n lbar, ɣef tnarhiwin n učči, ɣef umḍiq n učči yebnan am teflukt n uṣeggeḍ s teɣzi-s tilawt, akked tseddarin ɛlayen s snat n leqwam anda ɛellqen yifanaren. Iferdisen imudiliyen, leḥyuḍ n uceqquf ileqqaqen, asɣar aqdim n teflukin akked lqaɛa n usimun yettwaṣebɣen s lqahwa, ttaken-d udmawen iqdimen s ssuma tamecṭuḥt. Aseɣwes amudili yettawi tikli n yinebgawen yerna yettqadar lebni aqdim n ugla.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Saikai Izakaya Aseɣwes n daxel n usečču d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Saikai Izakaya Aseɣwes n daxel n usečču ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Saikai Izakaya Aseɣwes n daxel n usečču yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Saikai lzakaya transforms a compact restaurant on Lisbon's busiest food street into a cinematic "time-travel" journey of 23 immersive scenes. Using modular sets, soft ceramic walls, fire-treated straw, and a life-size fishing boat, the design optimizes space, creates storytelling flow, and balances immersive experience with sustainability on a limited budget.
Tigejdiwin & Akemmus: Area: 263.57 square meters. The project integrates modular displays, a double-height lantern stairwell, market-style facade with straw and tiles, bar counter, flexible dining trellises, and a 1:1 scale fishing boat dining zone. Designed for immersive storytelling flow, the technical properties emphasize modularity, sustainability, and heritage compliance.
Tibzimin: Saikai Izakaya, Immersive Dining, Cinematic Design, Japanese Fishing Village, Soft Ceramic, Modular Furniture, Sustainable Restaurant, Lisbon, Time-Travel Experience, Spatial Storytelling
Tasnakta n Ufares: The project employed modular construction, soft ceramic faux walls, straw facades, antique boat wood, and coffee-stained cement flooring. Budget limits required reconfigurable props, detachable furniture, and low-cost aging techniques, achieving authentic textures while ensuring safety, sustainability, and immersive effect within a heritage-protected building.
Asewḥel n Usnulfu: The main challenges were tight budget fifty-five thousand euros, heritage facade restrictions, and limited material supply. To overcome this, the team developed modular, reconfigurable sets, used soft ceramic and coffee-stained cement for low-cost authentic aging, and created slim facade lightboxes. These solutions balanced historical context, technical constraints, and immersive design goals.
Anadi: This project explores how narrative-driven design can transform the limitations of a small restaurant into an immersive cultural journey. With a budget of fifty-five thousand euros, the team created 23 cinematic scenes using modular sets and sustainable materials. Research confirms that spatial storytelling enhances customer engagement, strengthens brand identity, and delivers measurable cultural and commercial value.
Aseḥbiber: Inspired by an imagined Japanese fishing village where a samurai and geisha meet and reunite, the design translates this cinematic narrative into space. Drawing from Eastern philosophy on the fleeting nature of time, it invites diners to briefly escape daily life and become participants in a living story, turning a meal into an unforgettable journey.
Tanzagt n Usenfar: The project started in February 2024 and finished in April, 2025 in Portugal.
Tanila n Umahil: Guests enter through a straw-clad market facade and move seamlessly through eight immersive scenes: market foyer, bar, dining trellises, boat dining, and lantern tunnel. Each step reveals a new story chapter. Modular sets guide circulation, allowing diners to interact with the space, engage with narrative elements, and experience dining as participatory storytelling.
Imsuren n Tugniwin: Image #1: Photographer Huijie Zhao, Saikai Izakaya, 2025.
Image #2: Photographer Huijie Zhao, Saikai Izakaya, 2025.
Image #3: Photographer Huijie Zhao, Saikai Izakaya, 2025.
Image #4: Photographer Huijie Zhao, Saikai Izakaya, 2025.
Image #5: Photographer Huijie Zhao, Saikai Izakaya, 2025.