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Eau De Lamour Tawuri Tagejdant: Asuddes n Yiqpublic sɣur Ebru Sile Goksel

Eau De Lamour Tawuri Tagejdant: Asuddes n Yiqpublic sɣur Ebru Sile Goksel d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ukemmus.


LfeṭṭaAkemmus· 2026

Eau De Lamour Tawuri Tagejdant: Asuddes n Yiqpublic

sɣur Ebru Sile Goksel

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Akemmus

12,923

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #182291

Initen

Afeṣṣel

Ɣef Eau De Lamour Tawuri Tagejdant: Asuddes n Yiqpublic

Aḍris n Wedlis: Eau de LAmour d taɣawsa taḍimant, d tabṛat n leḥmala tamgurant yettwaseknen s yimɣan. Rriḥa d yiqpublic-is ur ttnadin ara ad d-jebden lwelha, maca ad d-ilin d ayla. Yettwaxdem kan s yizzayen igejdanen imɣanen yerna ur yesɛi ara timerna tasintitikt, tazedgi n usuddes tettban-d di leqsur n usali-ines. Yeddem-d tikti seg yisnasen n yiḥerraṣen n ddwa d yililuyen imɣanen, leǧwahi ihimen, initen izeddiren, d lecɣal timeẓẓyanin tettxelqen abeqqu iṛeggnen, d asegzi yebnan s wul n cci yesɛan lqima yesnnernin di tidet d wemyezwer ɣer tgant.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Eau De Lamour Tawuri Tagejdant: Asuddes n Yiqpublic d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Eau De Lamour Tawuri Tagejdant: Asuddes n Yiqpublic ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Eau de LAmour embodies quiet luxury through material depth, tactile refinement, and cultural memory. Rejecting high gloss spectacle, the packaging positions fragrance as ritual and knowledge. Restrained foil detailing and minimal embossing details on FSC certified uncoated stock create an intimate sensory experience. The design aligns formulation, narrative, and production ethics into one coherent, emotionally resonant object.
Tigejdiwin & Akemmus
Width 100 mm x Depth 50 mm x Height 150 mm. The box is produced from high density board with a custom die cut insert to secure the glass bottle. Exterior surfaces are wrapped in FSC certified uncoated paper, finished with hot foil stamping and blind embossing. The label is printed using offset technology to ensure precision and tonal consistency while preserving a tactile matte surface.
Tibzimin
Packaging design, Perfume packaging, Botanical Illustration, Aromatheraphy, Essential Oils, Minimalist Packaging, Apothecary packaging, Luxury perfume branding, Hot foil stamping, Gold foil, Embossed label design, Embossing, Minimalist luxury
Tasnakta n Ufares
The design was developed through a material led approach, aligning formulation purity with structural and graphic restraint. The label features hot foil stamping and micro embossing on uncoated, FSC certified stock to enhance tactility without lamination. Typography and ornament were vector-drafted from botanical studies and refined through iterative prototyping.
Asewḥel n Usnulfu
The main challenge was balancing a romantic, vintage inspired aesthetic with the standards of contemporary luxury packaging. Historically influenced visuals had to feel authentic without appearing nostalgic or decorative for its own sake. Production constraints such as foil precision, embossing depth, and material sustainability required careful coordination with the printer. The obstacle was achieving tactile richness while preserving visual restraint and clarity.
Anadi
The research was inspired by traditional apothecary packaging, botanical illustrations, and Art Nouveau book covers. The objective was to translate botanical purity into an authentic and emotionally resonant packaging language. The process involved reviewing archival references, studying decorative borders and typographic structures, and refining concepts through sketching and prototyping. The result is a poetic, vintage book cover composition with warm, romantic character, strengthening brand identity and elevating perceived value.
Aseḥbiber
The project was inspired by traditional botanical apothecaries and the quiet rituals of essential oil based perfumery. Research focused on old herbal manuscripts, natural dye palettes, and essential oil extraction practices. The motive was to translate purity and restraint into a contemporary luxury object, where material, typography, and ornament reflect the integrity of an entirely natural formulation.
Tanzagt n Usenfar
The project commenced in November. The creative development phase lasted three weeks, followed by one week of finalization and preparation for print. The production process was undertaken by Focus Print Istanbul. Prototype production, test prints, sampling, and implementation required an additional three to four weeks. The overall process spanned approximately two months. The product was officially launched in January 2025.
Tanila n Umahil
The object is designed to be experienced slowly. Revealing the perfume nested in a warm, protective interior. The bottle sits securely yet can be lifted with ease. Light catches the gold details, inviting touch. Every interaction, from opening the box to holding the glass, reinforces calm, care, and intention, creating a more intimate and meaningful fragrance ritual.
Igmamen n Terbaɛt
Creative Direction & Design: Ebru Sile Goksel
Imsuren n Tugniwin
Name of the Work: Eau De Lamour
Creative Direction and Packaging Design: Ebru Sile Goksel
Photography: Studio Born / Some visuals are AI powered.
Video: Homemade Aromaterapi
Print House: Focus Print

Yettwaxellṣen

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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