Yuko Suzuki의 Changes Cycles and Shapes 디지털 아트

디자이너 Yuko Suzuki의 작품 Changes Cycles and Shapes 디지털 아트은(는) 매우 권위 있는 2025 A' Design Award 금상의 제너레이티브, 알고리즘, 파라메트릭 및 AI 보조 디자인 부문에서 탁월한 수상작입니다.

금제너레이티브· 2025

Changes Cycles and Shapes 디지털 아트

디자이너: Yuko Suzuki

클라이언트: Feral File

제너레이티브 부문 A' Design Award 금상 수상작

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색상

디자인

Changes Cycles and Shapes 디지털 아트 소개

이 작품은 시각적 표현의 순환을 통해 '회화란 무엇인가?'라는 질문을 탐구한다. 몬드리안 작품의 전환에서 영감을 받아, 형태가 구상과 추상 사이를, 노이즈와 선형성 사이를 이동하는 회화의 구성 다이어그램을 기반으로 하며, 이 개념을 색채에 적용했다. 이 작품은 디지털 물질성의 변화하는 상태를 환기시키며, 변화 사이의 형태들이 본질임을 강조한다. 바렌으로 프린트된 텍스처를 통합함으로써, 디지털 형식 속에서 판화가로서의 작가의 정체성을 반영한다.

수상 인정

A' Design Award 금상 소개

Changes Cycles and Shapes 디지털 아트, 이 작품은 A' Design Award 금상 수상작으로, 일류의 경이롭고 뛰어난 디자인에 수여되는 극히 권위 있는 인정입니다. 금상 수상작은 대단히 혁신적이고 선견지명이 있으며 눈부시게 빛나는 작품으로, 디자이너의 천재성, 지혜, 기량을 반영합니다. Changes Cycles and Shapes 디지털 아트, 이 작품은 가장 높이 평가받는 트렌드 선도적이고 기념비적인 발명품으로서 전례 없는 가치를 제공할 것으로 기대됩니다. 이 금상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 장관을 이루는 존경받는 프로젝트입니다. Changes Cycles and Shapes 디지털 아트, 이 작품은 강렬한 욕망을 불러일으키고 열정을 자아내며 창의성을 북돋우고 매료합니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
치수 및 패키징: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
태그: Generative Art, Coding
생산 기술: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
디자인 과제: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
연구: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
영감: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
프로젝트 기간: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
운영 흐름: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
이미지 출처: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.