بڕۆ بۆ ناوەڕۆک
Rhythm Rêzikên Peykersaziya Heykel لەلایەن Zhuoyun Xiao

دیزاینی Rhythm Rêzikên Peykersaziya Heykel لەلایەن Zhuoyun Xiao خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2025 Xelata A' Design Award a Hesinîn لە پۆلی پێشبڕکێی Dîzayna Hunerên Bedew û Sazkirina Hunerî.


HesinHunera Bedew· 2025

Rhythm Rêzikên Peykersaziya Heykel

لەلایەن Zhuoyun Xiao

کڕیار: Zhuoyun Xiao

خەڵاتگری Xelata A' Design Award a Hesinîn لە پۆلی Hunera Bedew

18,243

ڕەنگەکان

دیزاینەکە

دەربارەی Rhythm Rêzikên Peykersaziya Heykel

Rhythm rêzikek sazkirina peykeriyê ye ku tevgerên dansê vediguherîne şêwazên statîk. Ev rêzik ji pênc perçeyên darê gêlaz pêk tê ku bilindahiyên wan 150, 200, 250, 300 û 350 mîlîmetre ne, û tevahiya komê 600 bi 800 bi 300 mîlîmetre ye. Reng û nîşaneyên reş, spî û sor xalên veguherînê nîşan didin. Dar bi hûrbînî tê birrîn, bi destan tê perdaxkirin û bi paqijkerên bênîjder tê çêkirin. Cudabûna bilindahiyan û valahiya damezrandî rîtmek dîtbarî çêdike. Temaşevan li dora xebatê dimeşin da ku rêzika tevgerê bişopînin.

پێناسەکردن

دەربارەی Xelata A' Design Award a Hesinîn

Rhythm Rêzikên Peykersaziya Heykel xelatgirê Xelata A' Design Award a Hesinîn e, nasîneke bi prestîj ku ji sêwiranên baş re tê dayîn, yên ku pêdiviyên pîşeyî û pîşesaziyê yên ku ji afirandinên baş hatine sêwirandin têne hêvîkirin tînin cih. Xelatgirên Hesinînê jêhatîbûna mezin, pisporiya bilind, têgihiştina pisporî û kapasîteya afirîner a afirînerên xwe nîşan didin. Tê hêvîkirin ku Rhythm Rêzikên Peykersaziya Heykel afirandineke pir hatiye rêzgirtin, sitayişkirin û delal, pratîkî û nûjen be. Ev sêwirana bi Hesinînê serketî pratîkên çêtirîn ên pîşesaziyê yekgirtî dike û xwedî taybetmendiyên teknîkî yên jêhatî ye ku bi zanîn û jêhatîbûnê ve girêdayî ne. Rhythm Rêzikên Peykersaziya Heykel ji ber baldariya xwe tê rêzgirtin û hatiye sêwirandin da ku kalîteya jiyanê baştir bike û alîkariya çêtirkirina dinyayê bike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان
"Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
قەبارە و پاکێج
Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
تاگەکان
Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
تەکنەلۆژیای بەرهەمهێنان
Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
هەڵەنگاندنی دیزاین
The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
توێژینەوە
The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
ئیلهام
Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
ماوەی پڕۆژە
The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
ڕێڕەوی کارکردن
Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
کرێدیتی وێنەکان
Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.

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