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Daxi Daxi Vietējās Kultūras Festivāls — BIAS Architects and Associates

Darbs Daxi Daxi Vietējās Kultūras Festivāls, kura autors ir BIAS Architects and Associates, ir augsti novērtēts un ļoti prestižās 2021 Sudraba balva A' Design Award ieguvējs kategorijā Pasākumu un notikumu dizains.


SudrabaPasākums· 2021

Daxi Daxi Vietējās Kultūras Festivāls

Autors: BIAS Architects and Associates

Klients: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Sudraba balva A' Design Award ieguvējs kategorijā Pasākums

46,694

Verificēts balvas ieguvējs

Verificēt balvas statusu dizainam #123023

Krāsas

Dizains

Par Daxi Daxi Vietējās Kultūras Festivāls

Kopš 2018.gada BIAS ir izstrādājis un ieviesis pilsētas festivālu, lai palīdzētu Daksi pilsētai sagatavoties šīs vietas galvenajai reliģiskajai ceremonijai. Parasti Taivānas ceremonijas ir konservatīvas un balstītas uz lauku tradīcijām, kas nosaka stingru noteikumu kopumu. Lai dalītos ar pilsētas sabiedrību ar tautas uzskatu šarmu, BIAS veicināja tradīcijas ar stratēģisku dizaina iejaukšanos un aktivitāšu kopumu, kas pasākumam nodrošina popkultūras noskaņu. Jo īpaši BIAS darbojās kā kurators un aicināja dažādus jaunos māksliniekus un dizainerus sadarboties ar tiem, kas saglabā vecās tradīcijas.

Atzinība

Par Sudraba balva A' Design Award

Daxi Daxi Vietējās Kultūras Festivāls ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka Daxi Daxi Vietējās Kultūras Festivāls būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. Daxi Daxi Vietējās Kultūras Festivāls ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības
Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Izmēri un iepakojums
Total event area: 121,000 sqm
Birkas
festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Ražošanas tehnoloģija
The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Dizaina izaicinājums
The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Pētījums
The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Iedvesma
Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Projekta ilgums
The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Darbības plūsma
The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Komandas dalībnieki
Main Curator: BIAS Architects & Associates
Attēlu autori
Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018

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