Perception of the Eyes Toi Huia nā Karina Frances Edmonds

Ko te hoahoa Perception of the Eyes Toi Huia nā Karina Frances Edmonds he kaitoa whakahirahira o te 2020 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Kākahu, Āhua me te Kākahu.

ParahiKākahu· 2020

Perception of the Eyes Toi Huia

nā Karina Frances Edmonds

Kiritaki: Karina Frances

Kaitoa o te A' Design Award Parahi i te Wāhanga Kākahu

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #102508

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Perception of the Eyes Toi Huia

Ko nga kanohi katoa e whakaputa ana i te hohonu o te hitori me te ataahua. Ki ahau nei, ko nga kanohi he rite ki te tomokanga ki te wairua o te tangata. He whakaaro hohonu, he mutunga kore ka kitea e te kanohi nga mea i whakaaweahia i tenei waahanga. Ki te ohorere, ko nga kanohi e whakaatuhia ana ki tenei waahanga na roto i te whakaata i te ahumoana i runga i nga uma. Ko te akonga e whakaatu ana i te tino kiko o te nipple. Ka whakaekehia nga raarangi matakite matakite, ka whiti ki nga waahanga kua tohua. Ka maumahara ki nga hoahoa pūtaiao me nga whakamaarama o te maamaa, maamaa te tohu aorangi i mua i te hinga ki nga ngaru o te whakakitenga.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Perception of the Eyes Toi Huia te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Perception of the Eyes Toi Huia he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Perception of the Eyes Toi Huia i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Inenga & Pēketanga: Size 6
Tūtohu: wearable art, eyes, vision, perception, poetry
Hangarau Whakanao: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Wero Hoahoa: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Rangahau: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Whakaaweawe: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Roanga o te Kaupapa: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Rerenga Mahi: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Pātene: N/A
Ngā Mema o te Rōpū: Tailor 15% work with patterns-( technical element).
Whakamana Whakaahua: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019