Ko te hoahoa Luna Mahi Tuatahi: Roro Kawhe, Akomanga Kawhe nā Kun-Han Yang he kaitoa whakahirahira o te 2023 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.
RinoRoto Whare· 2023
Luna Mahi Tuatahi: Roro Kawhe, Akomanga Kawhe
nā Kun-Han Yang
Kiritaki: THINKTHROUGH Design
Kaitoa o te A' Design Award Rino i te Wāhanga Roto Whare
Kaitoa Tohu Manatokohia
Manatokohia te Tūnga Tohu mō #142289Te Hoahoa
Mō Luna Mahi Tuatahi: Roro Kawhe, Akomanga Kawhe
Kuputuhi Pukapuka: Ko Luna he kawhe me tētahi akomanga kawhe kei roto i tētahi whare e toru ngā papa i Taoyuan City, Taiwan, e 121 mita tapawhā te rahi katoa. Kei te papa tuatahi tētahi pae kawhe me tētahi whare whakaaturanga, kei reira ngā tae rakau, kōhatu me ngā ripa rakau e whakamahara ana ki tētahi māra kōhatu o Hapani. Kei te papa tuarua ngā rauemi hanga taketake mai i ngā tau 1970, me ētahi nohoanga me tētahi wāhi mātakitaki i te marama. Ko te papa tuatoru he akomanga kawhe kua whakamanahia ā-ao me ngā kāpata rino kore-waikura me ngā matapihi karaehe. Ko te hoahoa e honohono ana i te ahua o Hapani ki ngā kaupapa o te marama me te rangi o te pō.
Te Whakamihi
Mō te A' Design Award Rino
Ko Luna Mahi Tuatahi: Roro Kawhe, Akomanga Kawhe te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Luna Mahi Tuatahi: Roro Kawhe, Akomanga Kawhe he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Luna Mahi Tuatahi: Roro Kawhe, Akomanga Kawhe mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.
I Muri i te Hoahoa
Kete Pāpāho
Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.
- Āhuatanga Motuhake
- As a commercial space, the first floor uses a large number of wood grain elements to create a Japanese impression. Besides, the Japanese rock garden and grilles create a Zen atmosphere, while the cafe bar cabinet uses terrazzo and concrete to express the image of time-shifting. The second floor retains the original building materials from the 1970s. The materials are reborn with innovative designs, echoing the innovation plan of the local business district. The third floor is different from the Zen atmosphere of the first floor, and the design team has injected the essence of Japanese design into the space.
- Inenga & Pēketanga
- The project is a three-story building with a total area of 121 square meters. The first floor is a coffee bar and gallery, the second floor is a seating area, and the third floor is a professional international certified coffee classroom. With the consideration of maintaining a proper distance between each table and the addition of a moon and a raft-like platform, the design team has created a flexible and comfortable space even with a total capacity of 32 people on the first and second floors. This makes the space more than just a coffee tasting but an environment of adventure and exploration that resonates with historical patterns.
- Tūtohu
- Cafe, Hayao Miyazaki, shrine, moon, vintage.
- Hangarau Whakanao
- Materials include: log materials such as Taiwan cedar, stone, stainless steel, glass, red bricks, hollow bricks, plants, etc. The first and second floors are mainly to preserve the original condition and elements of the building. The third floor is designed in a new Japanese style, transforming an unused space into an internationally certified coffee classroom. The design team uses minimalist elements and lines to divide the space and then uses stainless steel cabinets to enhance the professional image. In the end, the front and back are installed with glass to reflect the modern Japanese style and the Tiger Moutain Shrine respectively.
- Wero Hoahoa
- After construction, the design team realized that it was challenging to naturally express abstract concepts in design. With limited resources and unlimited ideas, there were trade-offs to be made in terms of scale. Fortunately, the design team finally succeeded in planning each floor to echo and connect with Japanese elements and to use the different styles of each floor to show the impression of time.
- Rangahau
- The first floor is a combination of a coffee bar and an art gallery, with stone and wood grain to create the mood of a Japanese rock garden. On the second floor, there is an eclectic mix of Taiwanese and Japanese-style seating and moon viewing space. On the opposite side of the moon is a raft with a few meteors. The third floor is an internationally certified coffee classroom with white light fixtures on the ceiling. When the daylight falls, the cool white temperature echoes the moonlight on the second floor. The Japanese Zen style also evolves on the first, second, and third floors.
- Whakaaweawe
- The design is inspired by two things: the location and the Japanese comic master: Hayao Miyazaki. In terms of location, Tiger Mountain retains a shrine from the Japanese colonial period. And the atmosphere full of history and culture nurtures the surrounding environment, which covers the cafe located at the foot of the mountain. The client is very fond of the story created by Hayao Miyazaki, which is full of innocent childishness and rich in meaning. As a result, the design team used the Japanese style as the base and the romantic elements of the starry sky and the moon to make the coffee tasting a romantic story with interesting adventures.
- Roanga o te Kaupapa
- The project finished in November 2021 in Taoyuan City, Taiwan.
- Rerenga Mahi
- The experience of the commercial space is wide and narrow may affect the entire atmosphere of the space. In particular, the cafe is an environment where customers stay for a long time, so the disadvantage is more obvious. To make it easier for the staff to serve the customers, the design team used cabinets to decorate the first and second floors and used color blocks to weaken the abruptness of the space on the third floor.
- Ngā Mema o te Rōpū
- KUN-HAN YANG
- Whakamana Whakaahua
- THINKTHROUGH Design
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