Sense Move Kākahu Kanikani nā Zhulin Shi

Ko te hoahoa Sense Move Kākahu Kanikani nā Zhulin Shi he kaitoa whakahirahira o te 2020 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Kākahu, Āhua me te Kākahu.

HiriwaKākahu· 2020

Sense Move Kākahu Kanikani

nā Zhulin Shi

Kiritaki: Last Lab Inc.

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Kākahu

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Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Sense Move Kākahu Kanikani

Ko Sense Move he kākahu whakaputa rama i hoahoatia mō ngā kaikanikani. Ka whātui te kākahu ki ngā āhua āhuahanga e whai ana i te nekehanga o te tinana, e hanga ana i tētahi whakairo nekeneke ki runga i te atamira. Ka whakaatu ngā pānga rama i ngā kare-ā-roto huri. Ko te memeha āta e tohu ana i te manawa, ā, ko te uira e tohu ana i te hihiko. Kei roto tētahi karapu rongo hei wāhanga o te kākahu. Ka pā mai tētahi mema o te hunga mātakitaki ki te ringa o te kaikanikani, ka rerekē te rama hei whakautu ki te pānga. Ko te whāinga o te hoahoa he whakakaha i te hononga kare-ā-roto i waenga i ngā kaiwhakaari me ngā kaimātakitaki.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Sense Move Kākahu Kanikani te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Sense Move Kākahu Kanikani he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Sense Move Kākahu Kanikani he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Inenga & Pēketanga: Width 70mm x Depth 30mm x Height 150mm
Tūtohu: wearable technology, led lighting costume, kinetic sculpture
Hangarau Whakanao: In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Wero Hoahoa: The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Rangahau: I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Whakaaweawe: With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Roanga o te Kaupapa: The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Rerenga Mahi: The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Whakamana Whakaahua: Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou