Shany Abdallah Naji Fungsi Utamo: Rangkaian Seni Grafik by Shany Dvora is a highly esteemed winner of the very prestigious 2021 A' Design Award Perak in Grafik Competition Category.
PerakGrafik· 2021
Shany Abdallah Naji Fungsi Utamo: Rangkaian Seni Grafik
by Shany Dvora
A' Design Award Perak Winner in Grafik Category
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- Verified Award Winner
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The Design
About Shany Abdallah Naji Fungsi Utamo: Rangkaian Seni Grafik
Shany Abdallah Naji adolah sarangkaian karya grafik nan mahiduikkan baliak tradisi panamaan kaluargo. Tradisi iko, nan tahanti kutiko kaluargo pindah dari Irak ka Israel, mambari surang bayi baru lahia namo partamo nan diikuik-i jo namo ayah sarato kakek. Rangkaian iko dibuek sasudah surek-surek imigrasi kaluargo lamo ditamukan. Limo karya media campuran, ampek baukuran 50 kali 70 sentimeter jo ciek baukuran 75 kali 70 sentimeter, manjalin cerak-cerak gambar ka dalam kaligrafi Ibrani nan diilhami dek manuskrip Ibrani dari Irak, Yaman, jo Maroko nan dibuek antaro abaik ka-12 jo ka-15.
The Recognition
About the A' Design Award Perak
Shany Abdallah Naji Fungsi Utamo: Rangkaian Seni Grafik adolah pamenang A' Design Award Perak, sabuah pangakuan nan luar biaso bapresti nan dibarikan ka rancangan tingkaik tatinggi, elok jo mangesankan. Pamenang Perak adolah karya nan sangaik cemerlang jo sangaik kreatif nan mamparlihatkan kapakaran, bakaik jo katajaman pikiran parancangnyo. Shany Abdallah Naji Fungsi Utamo: Rangkaian Seni Grafik dipaokan manjadi karya nan mangaguikan, contoh tauladan, sangaik profesional jo inovatif sacaro dalam. Rancangan nan manang Perak iko adolah panemuan nan nampak jo dikagumi nan mambari sumbangan untuak maluaskan batas seni, ilimu, rancangan jo teknologi. Shany Abdallah Naji Fungsi Utamo: Rangkaian Seni Grafik adolah ciptaan nan dicamburui banyak urang, nan mambangkikkan karinduan, mambaok parasaan positif jo malahiakan karagumon jo kakaguman.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
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- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
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- Patents
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- Team Members
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- Image Credits
- Shany Dvora
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