Pinnannousu Wirja ta' Skultura ta' Silġ Robotika minn Jussi Angesleva

Id-disinn Pinnannousu Wirja ta' Skultura ta' Silġ Robotika minn Jussi Angesleva huwa rebbieħ stmat ħafna tal-prestiġjuż 2024 Premju A' Design Award tad-Deheb fil-Kategorija tal-Kompetizzjoni ta' Disinn ta' Installazzjonijiet.

DehebInstallazzjoni· 2024

Pinnannousu Wirja ta' Skultura ta' Silġ Robotika

minn Jussi Angesleva

Rebbieħ tal-Premju A' Design Award tad-Deheb fil-Kategorija ta' Installazzjoni

194,655

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #158890

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Pinnannousu Wirja ta' Skultura ta' Silġ Robotika

Wirja ta' skultura li tidwib bil-mod, fejn robot industrijali jinqax blokk kbir ta' silġ f'lentija komputazzjonali li tirrifratta d-dawl immirat lejn grafika fuq il-ħajt, li jiktbu plus żewġ grad Celsius, twissija serja taż-żieda fit-temperatura globali. Ix-xogħol tal-arti jqabbel l-ottimizmu teknologiku għoli mal-isfidi globali temporanji li ma jafux konfini. L-intervent biss iħaffef il-proċess.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tad-Deheb

Pinnannousu Wirja ta' Skultura ta' Silġ Robotika huwa rebbieħ tal-Premju A' Design Award tad-Deheb, rikonoxximent prestiġjuż ħafna mogħti lil disinji tal-ewwel klassi, mill-isbaħ u eċċellenti. Ir-rebbieħa tad-Deheb huma ħolqien innovattiv ħafna, b'viżjoni u li jleqqu b'mod li jgħammex, li jirriflettu t-talent, l-għerf u l-ħila tad-disinjaturi tagħhom. Huwa mistenni li Pinnannousu Wirja ta' Skultura ta' Silġ Robotika ikun invenzjoni mfaħħra ħafna, li tistabbilixxi x-xejriet u monumentali li tagħti valur bla preċedent. Dan id-disinn rebbieħ tad-Deheb huwa proġett spettakolari u rispettat li jwessa' l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Pinnannousu Wirja ta' Skultura ta' Silġ Robotika joħloq xewqa qawwija, iqajjem il-passjoni, iħeġġeġ il-kreattività u jisħer lilna.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
Dimensjonijiet u Ippakkjar: Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display.
Tikketti: performance, computational design, robotics, new media, caustics, sculpture
Teknoloġija tal-Produzzjoni: An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
Sfida tad-Disinn: Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
Riċerka: Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
Ispirazzjoni: I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
Tul tal-Proġett: The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
Fluss tal-Operazzjoni: The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
Privattivi: Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Krediti tal-Immaġni: IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,

PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton