Nomad Ixiptla Tlacuilolli Ohuih Yolqui (Animated Short Film) ītēchcopa Yetong Xin and Muwen Li

Tlanāhuatīlli Nomad Ixiptla Tlacuilolli Ohuih Yolqui (Animated Short Film) ītēchcopa Yetong Xin and Muwen Li cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Ixcuecuetzaliztli, Tlachializtlahtolpamitl ihuan Olinia Ixiptlaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlIxcuecuetzaliztli· 2025

Nomad Ixiptla Tlacuilolli Ohuih Yolqui (Animated Short Film)

īpal Yetong Xin and Muwen Li

Tlanāhuatīlli: Reraner

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Ixcuecuetzaliztli Tlamantli

66,753

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #164631

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Nomad Ixiptla Tlacuilolli Ohuih Yolqui (Animated Short Film)

Nomad ce ohuih yolqui tlacuilolli ipan science fiction, quipohua itechpa in huallauh cahuitl in Amazonas cuauhtla. Inin tlacuilolli quinextia ce altepetl in molinia, in huel quinhuica in Amazonas calpoltin ipan yancuic tlalli campa huel nemizque, ihcuac ce tlalli aocmo huel quinpalehuia in tlacah inic nemizque. In machinas ipan Nomad quipia ce mecanica tlachihualiztli, yece mochihua achto ica tlalticpac tlamantli, amo ica tepoztli. Inin tlanemililiztli, in tlalticpacayotl quiyolitia, quitlalcahuia in itztic iyeliz in huehue machinas ihuan quimaca in altepetl ce yoliliztli. Achto omochiuhque tlacuilolli ihuan storyboards, zatepan modelado, in yoliliztli tlacuilolli (animación), renderizado ihuan compositing. Omotequitilti in motion capture inic in tlacah tlacuilolli molinizque.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Nomad Ixiptla Tlacuilolli Ohuih Yolqui (Animated Short Film) ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Nomad Ixiptla Tlacuilolli Ohuih Yolqui (Animated Short Film) ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Nomad Ixiptla Tlacuilolli Ohuih Yolqui (Animated Short Film) quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The mechanical design in the video has a unique style: while it retains a mechanical structure, it primarily uses natural materials instead of metal. Through this nature inspired mechanical approach, the design aims to portray a human city that values nature, reflecting a vision for future cities—harmony between humans and the environment. This design breaks away from the coldness of traditional machinery, giving it a sense of vitality that resonates with the audience and enhances their immersive experience.
Huēyiliztli īhuān Tlacualtepēhualli: 4K Video. Screened on a large display.
Tōcāitl: animation, nature, scifi, emotion, future
Tlachīhualiztli Māchiyōtl: First created design sketches and storyboards in Photoshop, then modeled in Blender. Used Cinema4D for scene building, animation, rendering, and simulations, and finally composited everything in After Effects. The character movements were captured using motion capture technology.
Tlanāhuatīlli Nētēcahuilīztli: The challenge was how to create a worldview that respects nature in the context of a high tech future. Many futuristic films, such as those with cyberpunk aesthetics, often depict highly mechanized cities, which conflict with the message of nature conservation the project aimed to convey. To address this issue, multiple discussions were held, ultimately leading to the adoption of a biomimetic approach, designing a city that embodies advanced technology while coexisting harmoniously with nature.
Tlatēmōliztli: This project originated from MIT Media Lab's City Science Group research on Amazonian tribes, focusing on the Amazon rainforest's decline due to human activity. Collaborating with scholars and urban designers, the team explored the tribes' beliefs, such as shamanism and totems. Their findings suggest that future Amazonian tribes may continue to respect nature and build cities that harmonize with the environment, shaping the film's worldview and production.
Tēyōllālīliztli: This scifi animation short was created in 2023, with a focus on environmental protection. By 2024, due to urban expansion, the forest cover in the eastern Amazon had decreased by 31 percent. This inspired the project to reflect on how humans should coexist harmoniously with nature in the future. The concept envisioned a city capable of moving freely; when a location can no longer sustain human activity, it would transport the Amazonian tribes to new habitable areas, achieving a dynamic balance of natural resources.
Tēquitl Cāhuitl: The project started in September 2023 in MIT Media Lab in Boston and finished in January 2024, and was exhibited in Brooklyn Film Festival, D ARCH Film Festival, A plus D museum in Los Angeles, and METAXIS plus PROMPT Festival in Budapest in 2024.
Tēquitl Ōhuitl: This animation uses a widescreen cinematic aspect ratio, and the music is highly aesthetic. It is best suited for viewing in a completely dark environment, such as a cinema, with a large screen or projector. The audience will experience an immersive and ultimate audiovisual experience.
Calpolli Tlācah: Co Author: Muwen Li
Music: Yicheng Zhu
Music: Zuochu Liu
Sound Design: JoNine Liu
Voice: Gabriela Bila Advincula