Fading Traditional Trades and Crafts Buku ndi Jesvin Yeo

Dizayini ya Fading Traditional Trades and Crafts Buku ndi Jesvin Yeo ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2022 Mphoto ya Golide ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zosindikizidwa ndi Zofalitsidwa.

GolideZosindikizidwa· 2022

Fading Traditional Trades and Crafts Buku

ndi Jesvin Yeo

Wopambana pa Mphoto ya Golide ya A' Design Award mu Gawo la Zosindikizidwa

659,971

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #140455

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Fading Traditional Trades and Crafts Buku

Bukuli limagwiritsa ntchito embossing ya 3D kuti lilembe ndikuwunikira tsatanetsatane wa ntchito zomwe zidapangidwa mwaluso ndi akatswiri aluso aku Singapore, kuchokera pamabwato a chinjoka cha mapepala ndi zodzikongoletsera za ku India kupita ku nsapato za mikanda ya Peranakan. Masamba amtunduwo amayimira kukwera ndi kugwa kwa zaluso zachikhalidwe, pomwe makampaniwo akuyamba nthawi yake yachitukuko (yosawoneka bwino) mpaka zaka zake zagolide (achikasu) ndipo pang'onopang'ono amazimiririka (zoyera). Choko chapastel chimayikidwa kuti owerenga atseke masamba ndikupeza zaluso zomwe zatayika za chikhalidwe chosawoneka cha Singapore, chifukwa ndife anthu okha omwe tingateteze, kuthandizira ndi kubweretsanso.

Chidziwitso

Za Mphoto ya Golide ya A' Design Award

Fading Traditional Trades and Crafts Buku ndi mmodzi mwa opambana a Mphoto ya Golide ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe a pamwamba, odabwitsa ndi odziwika. Opambana a Golide ndi zolengedwa zatsopano kwambiri, zoona patali ndi zonyezimira zomwe zimaonetsa luntha, nzeru ndi luso la opanga awo. Fading Traditional Trades and Crafts Buku akuyembekezeka kukhala chopangidwa chotamandidwa kwambiri, chokhazikitsa zochitika ndi chachikulu chomwe chimabweretsa phindu losawonekapo kale. Mapangidwe opambana Mphoto ya Golide ya A' Design Award awa ndi ntchito yodabwitsa, yolemekezeka yomwe imapindulitsa kwambiri ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Fading Traditional Trades and Crafts Buku amabweretsa zilakolako zamphamvu, kudzutsa chidwi, kulimbikitsa luso lolenga ndi kutikopa.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: What makes this book unique is the use of the 3D embossing technique, not just embossing, to highlight the intricate details of the works meticulously crafted by traditional Singaporean artisans, from dragon boats to Peranakan beaded shoes. With the pastel chalk, the book encourages reader engagement by colouring pages to discover the lost art of our ancestors, as only we humans can help safeguard, support and bring attention to the significance of this intangible cultural heritage.
Miyezo ndi Kuphimba: Book Box: 145mm (width) x 305mm (height) x 52mm (thickness)
Book Box Sleeve: 540mm (width) x 220mm (height)
Book: 140mm (width) x 298mm (height) x 40mm (thickness)
Book Sleeve: 530mm (width) x 298mm (height)
Inside pages (accordion fold): 4350mm (width) x 290mm (height)
3 Hard Covers: Inside Cover, Front and Back Covers
Zizindikiro: Traditional Artisans, Traditional Crafts, Cultural Artifacts, Intangible Cultural Heritage
Teknoloji Yopangira: The making of this book explores how to combine traditional book forms with new technologies, make traditional book forms more interesting through unusual structures and visual stimuli, and push the boundaries of book design. The book is of significance to the design field because it not only records the traditional crafts for future designers to explore and contribute to the local craft landscape but also examines book design as a form of vanishing traditional craft.
Vuto la Dizayini: The project challenges were facing the covid-19 pandemic and the difficulty of making 3D embossed plates. Production of the book was delayed for 6 months due to the intricateness of the artefacts and further halted for 8 months due to the spread of the coronavirus. The team worked closely with the production houses to ensure things could move forward smoothly, and we are grateful that all challenges were managed well in the end.
Kafukufuku: Given the scarcity of available resources, the approach included analysing oral history data collected by the National Archives of Singapore under the Vanishing Trades project in the 1980s and conducting fieldwork with current and retired artisans to understand the current situation and future substantiate the findings. The aim of the project is to document Singapore lost or vanished traditional crafts so that future generations can learn about them even after they disappear.
Chilimbikitso: Working with traditional artisans, I learned that when our ancestors came to Singapore in the 19th century from Malaya, China and India, they brought their values and livelihoods with them. These livelihoods include various forms of traditional crafts that have largely enriched Singapore cultural heritage. Thus, it is essential to record these crafts, some of which have vanished or will vanish within the next 20 years, and trace their place to the roots of their meaningful beginnings.
Nthawi ya Polojekiti: The project started in May 2015 in Singapore and finished production in December 2021. The book is on sale from March 2022.
Mdondomeko ya Ntchito: The colour pages of the book symbolize the rise and fall of traditional crafts, as the industry begins its developmental period (dull colour) to its golden age (yellow colour) and gradually fades (white colour). The pastel chalk is attached for readers to shade the pages and discover the lost arts of this intangible cultural heritage of Singapore.
Petensi: Copyrights belong to Jesvin Yeo, 2021
Mamembala a Gulu: Jesvin Yeo
Alvin Ng.
Mwini Zithunzi: All images: Photographer Victor Gui, 2021 and 2022