The Birth of a Book Buku ndi Urszula Giren

Dizayini ya The Birth of a Book Buku ndi Urszula Giren ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2020 Mphoto ya Golide ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zosindikizidwa ndi Zofalitsidwa.

GolideZosindikizidwa· 2020

The Birth of a Book Buku

ndi Urszula Giren

Kasitomala: Urszula Gireń

Wopambana pa Mphoto ya Golide ya A' Design Award mu Gawo la Zosindikizidwa

80,127

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #97144

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za The Birth of a Book Buku

Kubadwa kwa Buku ndi buku losindikizidwa lonena za kapangidwe ka mabuku ku Poland m'zaka za m'ma 1500. Bukuli likusonyeza zosindikizidwa zakale mu miyeso yeniyeni, kotero owerenga akhoza kuona mitundu yoyambirira ya mabuku. Chikuto chakunja chikusonyeza njira yokonzera masamba yomwe inkagwiritsidwa ntchito pa mtundu wakale wa octavo. Riboni yolozera masamba ikusonyeza kutalika kwa mabuku a folio, quarto ndi octavo. Zithunzi zosema pamatabwa zomwe zili pamasamba a mitu zasindikizidwa mu mitundu yosinthana, kukumbutsa za zisindikizo zokutidwa ndi inki yakuda. Kukula kwa bukuli ndi mamilimita 256 ndi 320, ndipo lili ndi masamba 560 ndi zithunzi pafupifupi 1200. Cholinga chake ndi kufotokoza njira zosindikizira za nthawi ya Renaissance kwa owerenga ambiri.

Chidziwitso

Za Mphoto ya Golide ya A' Design Award

The Birth of a Book Buku ndi mmodzi mwa opambana a Mphoto ya Golide ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe a pamwamba, odabwitsa ndi odziwika. Opambana a Golide ndi zolengedwa zatsopano kwambiri, zoona patali ndi zonyezimira zomwe zimaonetsa luntha, nzeru ndi luso la opanga awo. The Birth of a Book Buku akuyembekezeka kukhala chopangidwa chotamandidwa kwambiri, chokhazikitsa zochitika ndi chachikulu chomwe chimabweretsa phindu losawonekapo kale. Mapangidwe opambana Mphoto ya Golide ya A' Design Award awa ndi ntchito yodabwitsa, yolemekezeka yomwe imapindulitsa kwambiri ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. The Birth of a Book Buku amabweretsa zilakolako zamphamvu, kudzutsa chidwi, kulimbikitsa luso lolenga ndi kutikopa.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Miyezo ndi Kuphimba: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Zizindikiro: renaissance book, first roman typefaces, old prints, typography
Teknoloji Yopangira: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Vuto la Dizayini: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Kafukufuku: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Chilimbikitso: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Nthawi ya Polojekiti: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Mdondomeko ya Ntchito: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Mwini Zithunzi: Urszula Gireń / 2019