Lo dissènh Qin Seria d'Afiches per Kaidi Mao es un laureat autfo estimfo del prestigfo 2021 A' Design Award de Bronze dins la Categoria de Competfo Grafica.

BronzeGrafica· 2021

Qin Seria d'Afiches

per Kaidi Mao

Client : Kaidi Mao

Laureat del A' Design Award de Bronze dins la Categoria Grafica

9,015

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Colors

Lo Concèpte

A prepaus de Qin Seria d'Afiches

Qin es una seria d'afiches que reïnterpreta la tradicion de la pintura de paisatge chinesa a travèrs dels mèdias numerics. Lo nom Qin ven d'un mot chinés que significa penetrar o s'infiltrar, e lo caractèr escrich ajusta los signes de l'aiga e del còr. Las imatges comencen coma fotografias e son puèi desvolopadas amb d'aisinas numericas coma Photoshop, Cinema 4D e Procreate. La seria es producha en doas talhas e pòt èsser mostrada en estampa o sus ecran, dins una galariá o una maison. L'intencion es d'exprimir la vision taoïsta de la natura per un public internacional.

La Reconoissença

A prepaus del A' Design Award de Bronze

Qin Seria d'Afiches a ganhat la distincion A' Design Award de Bronze, una reconeissença plan prestigiosa acordada a de designs excellents que se destrian per la creativitat, l'engenh e la finessa. Los ganhaires del Bronze son d'artefactes largament abils e sorprenentament creatius que provan la vasta experiéncia, l'imaginacion e l'engenhositat de lors designers. S'espèra que Qin Seria d'Afiches siá un objècte fòrça considerat, admirat e estimat, notablament professional e innovant. Aqueste design ganhaire de la distincion A' Design Award de Bronze integra las melhoras practicas de l'art, de la sciéncia, del design e de la tecnologia e es excellent per son atencion al detalh. Qin Seria d'Afiches satisfa esplendidament los besonhs, toca los desirs, encanta los sentiments e interèssa la curiositat.

Darrièr lo concèpte

Kit de premsa

Crèdits, membres de l'equipa e detalhs tecnics fornits pel designer.

Proprietats Unicas: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Dimensions e Embalatge: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Etiquetas: Art, poster, Taoism, culture, landscape, painting
Tecnologia de Produccion: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Desaffo de Dissènh: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Recèrca: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspiracion: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Durada del Projècte: The project started in September 2019, finished in May 2020 in Los Angeles.
Flux Operacional: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.