Karina Frances Edmonds nisqap Perception of the Eyes Churakuna Arte Ñawpaq P'acha diseñon

Karina Frances Edmonds nisqap Perception of the Eyes Churakuna Arte Ñawpaq P'acha diseñonqa Churana Kamay Atipanakuy T'aqapi 2020 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiChurana· 2020

Perception of the Eyes Churakuna Arte Ñawpaq P'acha

Karina Frances Edmonds rurasqa

Mañakuq: Karina Frances

Churana T'aqapi A' Design Award Burunsi Premiu Atipaq

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Taripasqa Premio Atipaq

#102508 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Perception of the Eyes Churakuna Arte Ñawpaq P'acha nisqamanta

Ñawinkunapa Rikuyninmi nisqa churakuna arte ñawpaq p'achaqa, ñawikunamanta hinaspa qhaway kaymanta yuyaymanasqa kashan. P'achaqa ñawi rikch'aynintan qhawachin ñawpaq p'achapi (bodice), maypichus ñuñuqa ñawi rikch'ayta rikuchin, chuchunmi ñawiq kikinta (pupila) rikuchin. Wichay wasan kawallukunam chay puntumanta pachaman uraykamun, tinkusqa puntukunapi tinkuykuspa, mama qucha wayrukunaman tukuq patronta ruwaspa. Kay patronqa k'anchay t'ikrasqanmanta yachay sut'inchaykunata yuyarichin. Bodiceqa corset hina ruwasqa, alambrewan hinaspa sinchi llullaqara (faux leather) wan, chaymi wasakunata sinchita aysayta atin. Waqta siqikunaqa ñawpa pacha rikch'aykunata rikuchin, kunan pachaq rikch'aynimpi.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Perception of the Eyes Churakuna Arte Ñawpaq P'acha A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Perception of the Eyes Churakuna Arte Ñawpaq P'acha sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Perception of the Eyes Churakuna Arte Ñawpaq P'acha mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Tupukuna & P'istuy: Size 6
Etiquetakuna: wearable art, eyes, vision, perception, poetry
Ruway Tecnología: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Diseño Sasachakuy: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
T'aqwiy: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Kallpachay: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Llamk'ay Pacha: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Purichiy Puriy: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Patentekuna: N/A
Huñu Runakuna: Tailor 15% work with patterns-( technical element).
Siq'i Hayñikuna: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019