Hsiao-Wen Hu nisqap Craft as Time Capsule Qillqa diseñon

Hsiao-Wen Hu nisqap Craft as Time Capsule Qillqa diseñonqa Qillqasqa Kamay Atipanakuy T'aqapi 2021 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiQillqasqa· 2021

Craft as Time Capsule Qillqa

Hsiao-Wen Hu rurasqa

Mañakuq: Pratt Institute

Qillqasqa T'aqapi A' Design Award Qullqi Premiu Atipaq

36,290

Taripasqa Premio Atipaq

#121747 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Craft as Time Capsule Qillqa nisqamanta

Kay llamk'ayqa Hsiao-Wenpa tesis yachay maskayninpa qhipa qillqasqanmi, makiwan ruwayta waqaychay ñan hinam qhawarin kunan digital pachapi. Qillqaqa kimsa rakiyuqmi, aychayuq virtualwan chimpapurayta, materialwan datoswan, ruwaqpa ch'aqwaynin experienciawan qhawarin makiwan ruway waqaychaymanta. Pachaq aycha ruwaykunamanta virtual tinkuykunaman tikraptinmi, musuq necesidadkuna muyuriqninchikwan tinkuypa musuq rikch'ayninkuna rikurirqan. Kay tikrayqa manam imapichu tecnologíapillachu rikukun, aswanpas llapan culturanchikpipas.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Craft as Time Capsule Qillqa A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Craft as Time Capsule Qillqa ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Craft as Time Capsule Qillqa achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Tupukuna & P'istuy: The dimension of the book is in US letter size: 216 mm x 279 mm.
Etiquetakuna: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Ruway Tecnología: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
T'aqwiy: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Kallpachay: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Llamk'ay Pacha: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.