Najeeb Barbour nisqap Anubis The Judge Siq'isqa diseñonqa Shuyu Kamay Atipanakuy T'aqapi 2020 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.
FierruShuyu· 2020
Anubis The Judge Siq'isqa
Najeeb Barbour rurasqa
Mañakuq: Leopard Arts
Shuyu T'aqapi A' Design Award Fierru Premiu Atipaq
Taripasqa Premio Atipaq
#90661 nisqapaq Premio Kayninta TaripayDiseñomanta
Anubis The Judge Siq'isqa nisqamanta
'Anubis Juzgaq' nisqapi; diseñota t'aqwirispa, ruwaqqa Anubis nisqap aswan hatun riqsisqa unanchankunta unay kallpasapa pachap, chayman qhawarispa ruwarqan. 'Juzgaq' sutita yapasqa ichapis aswan kallpanta, atiyninta ima rikuchinanpaq ruwasqan personajpa. Sut'imanta, ruwaqqa ukhuyta, sumaq qhawarisqata churarqan geometrico nisqa unancha nisqakunaman tukuy diseñopi. Huk chokerota churarqan personajpa kunkampi muyurisqa, chaypas ancha texturayuq karqan.
Riqsichiy
A' Design Award Fierru Premiu nisqamanta
Anubis The Judge Siq'isqa A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Anubis The Judge Siq'isqa sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Anubis The Judge Siq'isqa yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.
Diseño Qhipanpi
Prensa Kit
Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.
- Sapaq Kayninkunamanta
- This design is titled 'Anubis, The Judge'. The design encompasses a set of well thought geometrical elements to complement the the subject of this design considering the divine charisma and unmatched power of this Egyptian god. The degree of seriousness behind the character is reflected in the dense design elements represented in the chocker visible around the neck area. The presence of the scale, is to symbolize the final judgement towards the after-life and the 'beetle' is added to highlight and facilitate the infamous intercession process reintroduced into the design to reflect back on the power of acceptance.
- Tupukuna & P'istuy
- W68 cm x H95 cm, 300 dpi, RGB Colors
- Etiquetakuna
- Anubis, Illustration, Geometry, Egyptian, History, Hieroglyphic,
- Ruway Tecnología
- The initial sketch was done free hand aimed to create a homogenous flow of all the thoughts gathered pertaining the subject of my piece.
Revisiting the visual concecept was essential in order to create a high degree of consistency to establishing perfection within every corner
of the drawing, considering the density of Anubis’s structure. I have also adopted traditional methods of depicting shapes and carefully
applied it within the relevant scope of my drawing.
Following the sketch development stage, came the digital aspects of applying the technical skills utilized through illustrator and Photoshop. - Diseño Sasachakuy
- My challenge was to understand the mythical and methods of the ancient calligraphies and arts,
and how they tried to communicate.
the only obstacle i faced, was the quality and details of the informations i received. - T'aqwiy
- i went through multiple methods for my research, such as art books of ancient civilizations, calligraphy art, internet, and video documentaries.
i also got lots of valuable information about the Ancient Egyptian Art from my Egyptian friends and colleagues.
Which allows me to dive into the idea even deeper, to come up with an original style . - Kallpachay
- I was inspired by Egyptian History, motivated by the mysterious mythology behind their civilisation, especially the Anubis Character that had no bargains when it comes to death and the Underworld, the design had to reflect the seriousness and boldness of Anubis...my research took weeks going through all of their drawings and hieroglyphics, symbols and beliefs until the idea was ready to execute.
- Llamk'ay Pacha
- The project started in Aug 2017 and finished in Jul 2018
- Purichiy Puriy
- This design could be a standalone printed as an artwork, Or it could be transformed into a 3d form and used as a character still or animated, it can be physically sculptured and used as an art-decor element using metallic materials hand made or factory production, the object is a very flexible design and can be operated in many ways.
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