Catalogue of Incunabula Primary Function: Katalogi na Aleksandra Toborowicz

Umushinga Catalogue of Incunabula Primary Function: Katalogi wa Aleksandra Toborowicz ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Inyandiko Zisohoka.

IfezaInyandiko Zisohoka· 2021

Catalogue of Incunabula Primary Function: Katalogi

na Aleksandra Toborowicz

Umukiriya: National Library of Poland / Biblioteka Narodowa

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Inyandiko Zisohoka

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #114705

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Catalogue of Incunabula Primary Function: Katalogi

Umwandiko: Katalogi y'ibitabo bya Incunabula ni igitabo kigizwe n'ibice bibiri gishyira ku mugaragaro icyegeranyo cy'ibicapo byo mu kinyejana cya cumi na gatanu bibitswe n'Isomero Rikuru ry'Igihugu cya Polonye. Igishushanyo cyagenwe gishingiye ku buhanga bwo gucapa no ku myandikire yo mu ntangiriro y'igihe cya Renaissance. Inyuguti nini nizo zigize insanganyamatsiko nyamukuru y'ibigaragara, naho umutwe uri ku gipfukisho wacapishijwe hakoreshejwe imyandikire y'amabara abiri. Umurongo w'akabari ka Renaissance winjijwe mu gipfukisho nta rangi. Umwandiko wanditswe mu myandikire ya kera ifite amaguru (serif) yitwa Adobe Jenson Pro. Impapuro z'igipfukisho zikozwe mu ipamba kandi zifite ubuso budahwitse. Ubwubatsi bwadodewe butuma ibitabo binini bifunguka byoroshye kugira ngo bisomwe.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Catalogue of Incunabula Primary Function: Katalogi ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Catalogue of Incunabula Primary Function: Katalogi biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Catalogue of Incunabula Primary Function: Katalogi ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The idea of the project refers to the style of the first Renaissance prints and typography - both in the selection of materials: elegant, hand-made cover paper and inside pages, by referring to the typography – large initials, which are the leitmotif of the project, as well as the technique of two-color typographic printing in the title of the cover. The subtle blind debossing of the Renaissance grid adds elegance to the design and strengthens historical references. An oldstyle and serif Adobe Jenson Pro font used in publication also refers to the first text face cut in Venice by Nicolas Jenson around 1470. The burgundy color of the elements organizing the publication (initials debossed on the covers and main inserts) and the accents (highlighting the most important sections, footnotes, references to footnotes) strongly contrast with the black of the body of the text. The paper used for the cover production – Arches White 400 g/m2 – is the highest quality product made of 100% cotton. Thanks to traditional production methods, the paper has a rough and harmonious texture, similar to hand-made paper. The typographic layout also refers to historical solutions from the times of incunabula.
Ibipimo n'Ipaki: binding: sewn-glued binding (otabind)
format: 168 x 240 mm
number of pages: 1080 (vol. 1: 704, vol. 2: 392)
printed by: Marceli Sp. z o.o., Warszawa
circulation: 250
Ibibazo Fatizo: catalogue, incunabula, publication, book, old-style, initials, typography, Renaissance, blind deboss, letterpress, renaissance grid,
Ikoranabuhanga ryo Guteza Imbere: cover: Arches White 400 g/m2; dry embossing – lines, title text – typographic printing
cover print: 2+1
printed on: Munken Premium Cream 1.3, 90 g/m2
inside print: 2+2 (czarny + Pantone 199 U)
red threads
typefaces: Adobe Jenson Pro, Incunables
Ikibazo cy'Ishusho: The biggest challenge was to design the layout – a complex, specialized and multi-part hierarchy and typographic layout, as well as a very voluminous text material while limiting the page limit.
Ubushakashatsi: The Catalogue of Incunabula in the National Library of Poland continues the tradition of research into the oldest surviving examples of printing, begun by Kazimierz Piekarski before the Second World War. It was compiled by Michał Spandowski in collaboration with Slawomir Szyller. Descriptions of the bindings are by Maria Brynda. The National Library of Poland has a cooperation agreement with the Berlin State Library dating from 2011, thanks to which the Catalogue has been reviewed by Dr Falk Eisermann, head of the Gesamtkatalog der Wiegendrucke (Union Catalogue of Incunabula) in Berlin, whose division is the leading body dealing with the global bibliography of fifteenth-century prints. Paul Schweitzer-Martin, expert in incunabula at the University of Heidelberg, helped produce the English version. It was decided to publish in English due to the international nature of research in this field and so that the Catalogue would reach a wider audience.

The Catalogue describes incunabula from a number of important historical collections, including the famous Biblioteka Ordynacji Zamojskiej (Count Zamoyski Family Library) and the Count Tarnowski Family Library in Dzikow. It includes descriptions of objects saved from the pre-War collection of the National Library, almost completely destroyed following the Warsaw Uprising. The Catalogue further adds to our bibliographic knowledge of fifteenth-century printing by presenting a number of unique items not covered in the existing literature. It also contains specialised descriptions of the medieval manuscripts that are bound together with the incunabula, and selected post-incunabula.

The second volume of the Catalogue contains a number of research tools making it easier to use the over 1,000 individual descriptions in the first volume. In addition, two provenance indexes provide extensive information on the former owners of the incunabula, with individual owners listed separately from institutions such as libraries, monasteries and churches.
Ibyatumye Habaho: The two-volume "Catalogue of Incunabula in the National Library of Poland" presents the collection of 15th-century prints held by the BNP, the sixth-largest such collection in Poland (1,131 copies of 1,034 printed editions). Perhaps the greatest achievement of this tradition so far was the publication of the central catalogue of all incunabula in Poland; now it is the turn of the collection of the National Library, presented here in great detail.
The idea of the project refers to the style of the first Renaissance prints and typography.
Igihe cy'Umushinga: year: 2019–2020, Kraków–Warszawa
Uburyo bw'Imikorere: The publication, which consists of many pages, was prepared in the otabind binding technique, which allows for easy opening of the book and makes it easier to read.
Abagize Itsinda: Design: Aleksandra Toborowicz
Typesetting: Katarzyna Niewczas
Project manager: Monika Michowicz