Umushinga Pinnannousu Ibitaramo bya Robo Bikorera Igishushanyo cy'Urubura wa Jussi Angesleva ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Ibigaragazwa.
ZahabuIbigaragazwa· 2024
Pinnannousu Ibitaramo bya Robo Bikorera Igishushanyo cy'Urubura
Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Ibigaragazwa
Uwatsinze Igihembo Yemejwe
Emeza Uko Igihembo Gihagaze ku #158890Imigereranyo
Ibyerekeye Pinnannousu Ibitaramo bya Robo Bikorera Igishushanyo cy'Urubura
Ni ibitaramo by'igishushanyo gishonga buhoro, aho robo y'inganda ikorera igitoro kinini cy'urubura kugeza kimeze nk'icyuma gisunika umucyo cyabarijwe mu mibare, gisunika itara rikomeye kugera ku mashusho ku rukuta, ryandika 'hiyongereyeho deregere ebyiri celsius', umuburo utinya w'izamuka ry'ubushyuhe bw'isi. Igihangano giteranya ibyiringiro by'ikoranabuhanga gikomeye n'ibibazo by'isi yose by'igihe gito bitagira imipaka. Ikizira cyihuta gusa inzira yo gushonga.
Ishimwe
Ibyerekeye Igihembo cya A' Design Award cya Zahabu
Pinnannousu Ibitaramo bya Robo Bikorera Igishushanyo cy'Urubura ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Pinnannousu Ibitaramo bya Robo Bikorera Igishushanyo cy'Urubura biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Pinnannousu Ibitaramo bya Robo Bikorera Igishushanyo cy'Urubura itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.
Inyuma y'Imigereranyo
Dosiye y'Itangazamakuru
Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.
- Ibintu Bidasanzwe
- A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
- Ibipimo n'Ipaki
- Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display. - Ibibazo Fatizo
- performance, computational design, robotics, new media, caustics, sculpture
- Ikoranabuhanga ryo Guteza Imbere
- An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
- Ikibazo cy'Ishusho
- Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
- Ubushakashatsi
- Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
- Ibyatumye Habaho
- I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
- Igihe cy'Umushinga
- The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
- Uburyo bw'Imikorere
- The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
- Patente
- Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton - Abafotoye
- IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,
PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
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