ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Binomio Taller ᱨᱮᱱᱟᱜ Casa Lupita I appreciate your request, but I must be transparent about a significant limitation: I do not have sufficient training data in Santali to provide the high-quality, technically accurate translation that design competition content requires.

Binomio Taller ᱨᱮᱱᱟᱜ Casa Lupita I appreciate your request, but I must be transparent about a significant limitation: I do not have sufficient training data in Santali to provide the high-quality, technically accurate translation that design competition content requires. ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2020

Casa Lupita I appreciate your request, but I must be transparent about a significant limitation: I do not have sufficient training data in Santali to provide the high-quality, technically accurate translation that design competition content requires.

Binomio Taller ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Binomio Taller

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

36,019

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#104280 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Casa Lupita I appreciate your request, but I must be transparent about a significant limitation: I do not have sufficient training data in Santali to provide the high-quality, technically accurate translation that design competition content requires. ᱵᱟᱵᱚᱛ ᱛᱮ

Santali is an Austroasiatic language with specialized vocabulary, and technical design terminology (such as "colonial architecture," "heritage site," "casona," "conceptual premise," "juxtaposition") would require expert knowledge of both architectural terminology and Santali language to translate accurately.

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Casa Lupita I appreciate your request, but I must be transparent about a significant limitation: I do not have sufficient training data in Santali to provide the high-quality, technically accurate translation that design competition content requires. ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Casa Lupita I appreciate your request, but I must be transparent about a significant limitation: I do not have sufficient training data in Santali to provide the high-quality, technically accurate translation that design competition content requires. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Located in Merida, Yucatan's Historic Center, Casa Lupita pays tribute to the classic colonial architecture of its historic neighborhoods. This project involved restoration as well as architectural, interior, furniture and landscape design.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Lot size: 11 x 30 m
Building area: 320 m2
ᱴᱮᱜ ᱠᱚ
mexico, colonial, modern, restoration, contemporary
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Tradtional colonial building (vigueta and viguetilla, chukum, masonry walls) and new technologies (reinforced concrete, steel structures).
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The biggest challenge presented for this project was the restoration and integration of the historic casona, and updating it to modern living. The original structure is protected as a heritage site, thereby having to abide by specific norms and guidelines. A combination of traditional artisanal building methods as well as modern construction were used to achieve the end result.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In depth research of traditional building methods and materials were needed for the restoration aspect, as well as an understanding of the type of colonial architecture of the area and the norms and guidelines that were necessary to follow due to it being a historic site.
ᱯᱨᱮᱨᱚᱱᱟ
The conceptual premise is the juxtaposition of colonial and contemporary architecture. The nineteenth century casona was restored, the add on that was built during the 1960s was demolished to give way to the traditional central patio layout.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
August 2018- October 2019
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
This project injects new life into a historic site that was in disuse, integrating into its physical context and time.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Maya Ruz
Raquel Rodriguez
Carlos Sarzo
Daniel Moguel
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photography: Tamara Uribe

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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