ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Kerem Akin ᱨᱮᱱᱟᱜ Bzj ᱯᱨᱟᱭᱢᱟᱨᱤ ᱠᱟᱹᱢᱤ: ᱠᱟᱯᱲᱟ ᱠᱟᱨᱠᱷᱟᱱᱟ

Kerem Akin ᱨᱮᱱᱟᱜ Bzj ᱯᱨᱟᱭᱢᱟᱨᱤ ᱠᱟᱹᱢᱤ: ᱠᱟᱯᱲᱟ ᱠᱟᱨᱠᱷᱟᱱᱟ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2021

Bzj ᱯᱨᱟᱭᱢᱟᱨᱤ ᱠᱟᱹᱢᱤ: ᱠᱟᱯᱲᱟ ᱠᱟᱨᱠᱷᱟᱱᱟ

Kerem Akin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Ka Partners

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#124306 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Bzj ᱯᱨᱟᱭᱢᱟᱨᱤ ᱠᱟᱹᱢᱤ: ᱠᱟᱯᱲᱟ ᱠᱟᱨᱠᱷᱟᱱᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

Bzj ᱫᱚ ᱴᱩᱨᱠᱤ ᱨᱮᱭᱟᱜ ᱵᱩᱨᱥᱟ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱠᱟᱯᱲᱟ ᱠᱟᱨᱠᱷᱟᱱᱟ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸᱭᱟᱜ ᱡᱚᱛᱚ ᱯᱷᱚᱞᱚᱨ ᱡᱟᱭᱜᱟ ᱫᱚ ᱘᱐᱐᱐ ᱵᱟᱨᱜᱟ ᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ᱾ ᱛᱮᱭᱟᱨ, ᱵᱟᱸᱴᱚᱭᱟᱜ ᱟᱨ ᱯᱨᱚᱥᱟᱥᱚᱱ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱚ ᱢᱤᱫ ᱪᱷᱟᱹᱛᱩ ᱛᱟᱞᱟᱨᱮ ᱢᱮᱥᱟᱹ ᱟᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱵᱟᱨᱭᱟ ᱯᱷᱮᱥᱟᱰ ᱫᱚ ᱚᱲᱟᱜ ᱠᱚ ᱜᱷᱮᱨᱟᱣ ᱟᱠᱟᱫᱮᱭᱟ᱾ ᱠᱟᱸᱪ ᱨᱮᱭᱟᱜ ᱯᱚᱨᱫᱟ ᱠᱟᱺᱛᱷ ᱟᱨ ᱡᱷᱚᱨᱠᱟ ᱠᱚ ᱵᱷᱤᱛᱚᱨ ᱛᱷᱚᱠ ᱛᱮᱭᱟᱨ ᱠᱚᱣᱟ, ᱟᱨ ᱯᱷᱩᱴᱟᱣ ᱟᱠᱟᱱ ᱟᱞᱩᱢᱤᱱᱤᱭᱟᱢ ᱯᱟᱱᱮᱞ ᱠᱚ ᱵᱟᱦᱨᱮ ᱛᱷᱚᱠ ᱛᱮᱭᱟᱨ ᱠᱚᱣᱟ᱾ ᱯᱷᱩᱴᱟᱣ ᱟᱠᱟᱱ ᱯᱟᱱᱮᱞ ᱠᱚ ᱫᱤᱱ ᱟᱨ ᱨᱤᱛᱩ ᱨᱮᱭᱟᱜ ᱥᱟᱶᱛᱮ ᱟᱠᱟᱞ ᱪᱟᱸᱫᱚ ᱟᱨ ᱨᱟᱹᱲᱟᱹ ᱠᱚ ᱴᱷᱤᱠ ᱠᱚᱣᱟ᱾ ᱞᱚᱜᱚᱱ ᱟᱨ ᱠᱚᱢ ᱠᱷᱚᱨᱚᱪ ᱞᱟᱹᱜᱤᱫ ᱯᱷᱨᱤᱯᱷᱮᱵᱨᱤᱠᱮᱴᱮᱰ ᱠᱚᱸᱠᱨᱤᱴ ᱰᱷᱟᱺᱪᱟ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ᱾ ᱯᱨᱚᱥᱟᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱨᱮ ᱰᱷᱟᱺᱪᱟ, ᱵᱤᱡᱩᱞᱤ ᱟᱨ ᱢᱮᱠᱟᱱᱤᱠᱟᱞ ᱥᱤᱥᱴᱚᱢ ᱠᱚ ᱧᱮᱞᱚᱜ ᱞᱮᱠᱟ ᱛᱮ ᱛᱟᱦᱮᱸᱱ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Bzj ᱯᱨᱟᱭᱢᱟᱨᱤ ᱠᱟᱹᱢᱤ: ᱠᱟᱯᱲᱟ ᱠᱟᱨᱠᱷᱟᱱᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Bzj ᱯᱨᱟᱭᱢᱟᱨᱤ ᱠᱟᱹᱢᱤ: ᱠᱟᱯᱲᱟ ᱠᱟᱨᱠᱷᱟᱱᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Environmental friendly double facade (glass curtain walls and windows as first facade and perforated aluminum panels as second outer facade) controls the natural lighting and climate changes during the day and seasons.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The Bzj Textile factory in Bursa, Turkey with a total floor area of 8000 m2 combines production, distribution and administrative functions under the same roof.
ᱴᱮᱜ ᱠᱚ
double facade, prefabricated structure, concrete, perforated facade, factory, textile, industrial
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Prefabricated concrete structural system has been chosen as it is fastest and the most economical construction method. This structural feature was taken into account in the design, and all the structural, electrical and mechanical systems were left open to view in the administration area. The custom designed furniture in a predominantly mid century style lends a sense of fun and color, as well as comfort and elegance to the offices and showrooms. By this means it was aimed to strike a new balance with the characteristic features of an industrial building.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The creative challenge was to use very standard prefabricated concrete structural which was common for industrial buildings in the region. We accepted and adopted this challenge as design input. The other challenge was to remove the bulkiness of the general factories.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The existing factories in the area are visited and analyzed in order to understand the workflow and the operations. The problematic existing flows are redesigned within the concept to provide complete privacy and to protect the intellectual properties.
As the corner land facing south and east, the control of natural lighting is researched. According to the sun's track and the purposes of the spaces within the factory, the perforated second facade is designed.
ᱯᱨᱮᱨᱚᱱᱟ
The idea was to make the building one homogenous object, both in terms of the different sections of the factory – production plant, offices and showroom – and in terms of the exterior appearance. In order to create a visual contrast to the heavy concrete, we let the light shine through the perforated facade which makes the building look very light.
The interaction between the functions of the factory and the land shape both the building and the ground and it manifests itself through the facade
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project is completed in 18 months in Bursa, Turkey
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The operation in the factory is divided in two main section; production and administration/operation and the circulation between these 2 section occurs is in 4 types; blue-collars, white-collars, material/products and customers. The circulations of blue-collars and material/products are heavily intertwined as it requires very close interaction. The circulation of white-collars is the bridge between the production and the customers and interacts with all the functions in the factory. The customer only interacts within the white-collars circulation and with the end products in showrooms. These 4 different circulations are integrated in the design of the factory very carefully to provide maximum privacy and minimum conflict.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Kerem Akin
Nina Handelman
Y.E. Esen
Carmelia Chang

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ