Katsufumi Kubota ᱨᱮᱱᱟᱜ K ᱵᱤᱞᱟ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2022
K ᱵᱤᱞᱟ
Katsufumi Kubota ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Kubota Architect Atelier
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#136223 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
K ᱵᱤᱞᱟ ᱵᱟᱵᱚᱛ ᱛᱮ
K ᱢᱮᱱᱟᱜᱼᱟ ᱢᱤᱫ ᱵᱤᱞᱟ ᱡᱟᱦᱟᱸ ᱱᱟᱥᱩ, ᱛᱳᱪᱤᱜᱤ, ᱡᱟᱯᱟᱱ ᱨᱮ ᱛᱟᱦᱮᱸᱱᱟᱭ। ᱪᱚᱴᱟᱴ, ᱚᱲᱟᱜ-ᱮᱴᱠᱚ ᱟᱨ ᱪᱟᱞᱟᱠᱚ ᱮᱴᱦᱚᱵ ᱠᱚ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱝ ᱚᱠᱛᱚ ᱡᱩᱲᱟᱣᱟᱜ ᱟᱡᱚᱜ ᱠᱚ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱚᱦᱟᱨ ᱟᱠᱟᱱᱟ, ᱢᱮᱱᱠᱦᱟᱱ ᱡᱩᱲᱟᱣ ᱮᱴᱦᱚᱵ ᱠᱚ ᱞᱮᱠᱟ ᱟᱡᱚᱜ ᱞᱮᱠᱟ ᱵᱮᱵᱚᱦᱟᱨ ᱦᱩᱭ ᱠᱟᱱᱟ। ᱡᱟᱦᱟᱸ ᱭᱟᱶᱟᱜ ᱦᱩᱲᱩᱝ-ᱟᱠᱚ 90 ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱠᱚ ᱡᱟᱴᱟᱸᱜ ᱠᱟᱱ ᱴᱷᱩᱱᱠᱚ ᱨᱤᱸᱯᱷᱳᱨᱥᱰ ᱠᱚᱸᱠᱨᱤᱴ ᱥᱞᱮᱵᱠᱚ ᱚᱲᱟᱠᱚ ᱦᱚᱲᱚᱠᱟᱣ ᱠᱮᱫᱟ, ᱚᱱᱟᱛᱮ ᱠᱟᱴᱷᱟᱢᱳ ᱦᱟᱞᱠᱟ ᱞᱮᱠᱟ ᱥᱮᱫ ᱮᱛᱠᱟᱱᱟ। ᱚᱱᱟ ᱴᱮᱯᱟᱨ ᱠᱟᱱ ᱥᱞᱮᱵ ᱨᱮᱭᱟᱜ ᱞᱟᱛᱟᱨ ᱰᱟᱶ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ ᱢᱤᱨᱚᱨ ᱛᱮ ᱠᱟᱹᱢᱤᱭᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱪᱟᱨᱤᱭᱟᱹᱨᱤ ᱵᱩᱨᱩ-ᱵᱤᱨ ᱟᱨ ᱡᱟᱭᱜᱟ ᱟᱠᱟᱨ ᱨᱮᱯᱷᱞᱮᱠᱴ (ᱛᱤᱨᱠᱳᱭ) ᱦᱩᱭ ᱠᱟᱱᱟ। ᱚᱲᱟᱜ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱵᱟᱭᱡᱟ ᱠᱚ ᱠᱚᱢ ᱛᱮ ᱠᱚᱢ ᱛᱚᱭᱟᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱠᱚᱴᱷᱟᱠᱚ ᱢᱤᱫ-ᱢᱤᱫ ᱠᱷᱚᱱ ᱢᱤᱫ ᱛᱮ ᱵᱦᱟᱹᱞᱟᱜ ᱠᱚ ᱠᱟᱱᱟ। ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱦᱟ ᱠᱟᱱᱟ ᱡᱮ ᱦᱚᱨᱟ ᱦᱩᱭ ᱡᱤᱣᱤ ᱚᱲᱟᱜ ᱚᱠᱛᱟᱭ ᱪᱟᱨᱤᱭᱟᱹᱨᱤ ᱚᱲᱟᱜ ᱠᱚᱲᱟᱹ ᱛᱮ ᱡᱩᱲᱟᱣᱟᱜ ᱠᱟᱱᱟ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
K ᱵᱤᱞᱟ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ K ᱵᱤᱞᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The floors,walls,and roofs are refined as two-dimensional surfaces to the extreme.They are not joined together but are kept as separate components,either underground,above ground,or in the air where they need to be,composing the architecture.The overlapping and shifting of the abstract slabs lose their thickness and mass and seem to float,creating a space with ambiguous divisions where all areas converge into a loosely connected architecture.The architecture that revives connection erases the boundaries between the planar and sterical,inside and the outside,and between various realms.Thus the mind fuses with nature,and the mind integrated into the infinitely expanding nature leads to the essential richness and boundless freedom.This architecture is K Villa.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Site area 517.12 m2 Building area 105.16m2 Total floor area 95.69m2
- ᱴᱮᱜ ᱠᱚ
- Japan, Villa, Minimal, Modanism, Concrete
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- reinforced concrete
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The distance from the office to the site was about 1,000 km, and the coronavirus raged during the construction, so it was not easy to supervise the site. I think that supporting the roof with 90Φ thin pillars in Japan, which is an earthquake-prone country, will be the limit.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- We are meant to coexist with the infinite expanse of nature.However,buildings are on the contrary and have been developed to separate the mind and from nature an much as possible.Thus when a building intervenes between the mind and nature,it severs the connection between the two,reinforces isolation,and slowly grows the darkness and coldness in the mind.Without realizing it,the mind creaks and becomes crooked.K Villa creates an architecture that overturns this process.
- ᱯᱨᱮᱨᱚᱱᱟ
- The pressures of relating with others,however small and common they may be,cause our hearts to close,stagnate and obscure without our knowing.Our desires to be liberated from these pressures push us to update ourselves through superficial entertainment and joy and yet,our hearts remain clenched still,slowly eating away our energy to live.In order to reverse and break away from this flow,we must connect our hearts to an infinitely freer power,and to inspire a breath of new life.K Villa we create here will be planned so that it functions as a medium that induces response and fosters a relationship between both sides.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Design from 2015 to 2019 Construction from 2019 to 2020. Location: Nasu,Tochigi,Japan
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Completed without joining thin pillars with only 90Φ and slabs on the floor, walls, and roof, this K Villa gently connects to the outside nature, and attempts to transfer nature on the back of the tapered slab with a stainless mirror surface.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Katsufumi Kubota, Kazuya Toizaki, Kazu Kubota, Masayuki Kubota,Naoya Yuda
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Katsu Tanaka
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
