Hugo Ferreira ᱨᱮᱱᱟᱜ Terra ᱮᱱᱤᱢᱮᱴᱮᱰ ᱠᱟᱴᱤᱡ ᱯᱷᱤᱞᱢ

Hugo Ferreira ᱨᱮᱱᱟᱜ Terra ᱮᱱᱤᱢᱮᱴᱮᱰ ᱠᱟᱴᱤᱡ ᱯᱷᱤᱞᱢ ᱫᱚ ᱠᱚᱢᱯᱤᱩᱴᱟᱨ ᱜᱨᱟᱯᱷᱤᱠᱥ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱨᱩᱯᱟᱠᱚᱢᱯᱤᱩᱴᱟᱨ ᱜᱨᱟᱯᱷᱤᱠᱥ· 2025

Terra ᱮᱱᱤᱢᱮᱴᱮᱰ ᱠᱟᱴᱤᱡ ᱯᱷᱤᱞᱢ

Hugo Ferreira ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Okdraw

ᱠᱚᱢᱯᱤᱩᱴᱟᱨ ᱜᱨᱟᱯᱷᱤᱠᱥ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#172997 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Terra ᱮᱱᱤᱢᱮᱴᱮᱰ ᱠᱟᱴᱤᱡ ᱯᱷᱤᱞᱢ ᱵᱟᱵᱚᱛ ᱛᱮ

Terra ᱫᱚ ᱢᱤᱫ ᱮᱱᱤᱢᱮᱴᱮᱰ ᱠᱟᱴᱤᱡ ᱯᱷᱤᱞᱢ ᱠᱟᱱᱟ ᱚᱠᱟ ᱨᱮ ᱫᱷᱩᱲᱤ, ᱜᱨᱮᱵᱷᱤᱴᱤ ᱟᱨ ᱦᱚᱲ ᱛᱮᱭᱟᱨ ᱵᱷᱟᱝᱜᱟ ᱥᱟᱫᱚᱢ ᱠᱚ ᱫᱚ ᱢᱩᱬᱩᱛ ᱵᱤᱥᱚᱭ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱯᱷᱤᱞᱢ ᱫᱚ ᱢᱚᱬᱮ ᱴᱟᱲᱟᱝ ᱢᱤᱱᱤᱴ ᱞᱮᱠᱟ ᱪᱟᱞᱟᱜ ᱠᱟᱱᱟ, 2.35:1 ᱮᱥᱯᱮᱠᱴ ᱨᱮᱥᱤᱭᱚ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱟᱨ Muay ᱵᱮᱸᱰ ᱨᱮᱭᱟᱜ E2 ᱢᱭᱩᱡᱤᱠ ᱴᱨᱮᱠ ᱥᱟᱶᱛᱮ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ᱾ Terra ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱚᱨ, ᱴᱮᱠᱱᱚᱞᱚᱡᱤ, ᱥᱟᱭᱮᱸᱥ ᱯᱷᱤᱠᱥᱚᱱ ᱥᱤᱱᱮᱢᱟ ᱟᱨ ᱢᱭᱩᱡᱤᱠ ᱨᱮᱭᱟᱜ ᱢᱟᱱ ᱮᱢ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱫᱚ 3ds Max ᱟᱨ Corona Renderer ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱮᱰᱤᱴᱤᱝ ᱟᱨ ᱠᱚᱞᱚᱨ ᱠᱚᱨᱮᱠᱥᱚᱱ ᱫᱚ Adobe ᱥᱚᱯᱷᱴᱣᱮᱨ ᱛᱮ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾ ᱮᱱᱤᱢᱮᱥᱚᱱ, ᱠᱮᱢᱮᱨᱟ ᱠᱟᱹᱢᱤ ᱟᱨ ᱞᱟᱭᱴᱤᱝ ᱫᱚ ᱛᱤ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱴᱮᱠᱨᱟᱣ, ᱴᱚᱴᱠᱟᱣ ᱟᱨ ᱨᱮᱴᱮᱡ ᱠᱚ ᱫᱚ ᱯᱞᱟᱜᱤᱱ ᱛᱮ ᱥᱤᱢᱩᱞᱮᱴ ᱟᱠᱟᱱᱟ᱾ ᱵᱨᱩᱴᱟᱞᱤᱥᱴ ᱨᱩᱯ ᱠᱚ ᱫᱚ ᱧᱮᱞᱚᱜ ᱫᱤᱥᱟᱹ ᱠᱚ ᱦᱚᱨᱟ ᱩᱫᱩᱜ ᱟᱠᱟᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Terra ᱮᱱᱤᱢᱮᱴᱮᱰ ᱠᱟᱴᱤᱡ ᱯᱷᱤᱞᱢ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Terra ᱮᱱᱤᱢᱮᱴᱮᱰ ᱠᱟᱴᱤᱡ ᱯᱷᱤᱞᱢ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: Terra is a short animation film, based on a what if kind of story, where, dust, gravity, and man made ruins are the protagonists.
Terra was written for the music E 2 of the band Muay - a music written inicialy for the live Soundtrack for the movie Earth (Terra), of Aleksandr Dovzhenko.
Terra attempts to be an honest homage to architecture, technology, sci-fi movies, and music.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Length: 5.20 min
Type of film: CG Animation
Aspect Ratio: 2.35:1
Music: E2 by Muay
ᱴᱮᱜ ᱠᱚ: music, video, short film, brutalism
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: We wanted to implement as much of our daily work flow as possible, so our setup did not deviate much from the industry standard. We used 3ds Max with Corona Renderer, and
Adobe After Effects and Premiere for editing and color correction.
Our approach was straightforward, with us solving problems as we encountered them and
embracing limitations as part of the creative process. We were more concerned with the results than with realistic physics – if it looked good, me would move on. All the animation, camera work, and lighting were done by hand. The only exceptions were the rock collisions, explosions, and cracks, for which we used the Phoenix FD plugin and tyFlow to simulate various effects.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: Curiously enough, the most difficult part was probably working free from the constraints of a client: with endless possibilities, it is hard to establish boundaries. Between the music, story, and visuals, it was not easy to strike the right balance. Occasionally, we went too far while experimenting and had to dial it down a notch.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism.As we were not used to work with this aesthetic, we submerged ourselves in movies like 'The
Tragedy of Macbeth, Lighthouse, and Sin City. We also consulted the photography of Saul Leiter
and Sebasião Salgado. All of these references helped us to understand how, in the absence of
color, we can use contrast as a shaping, and eye-guiding tool. Consequently, lighting direction,
camera movement, and post-production went hand in hand at all times.
ᱯᱨᱮᱨᱚᱱᱟ: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism. Examples:
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: This project started in August 2022 and was finished in February 2023. Was writen, directed and produce on our studio, with the help of Rebus Farm.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: Watch it and listen to it.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyrights belong to Okdraw, 2025.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Written, Directed and Produced by: Okdraw
Music by: Muay