Bowen Qian ᱨᱮᱱᱟᱜ Good Old Days and Pollinators Garden Showcase ᱫᱚ ᱩᱛᱥᱟᱵ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱩᱛᱥᱟᱵ· 2025
Good Old Days and Pollinators Garden Showcase
Bowen Qian ᱞᱮᱠᱟᱛᱮ
ᱩᱛᱥᱟᱵ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#172961 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Good Old Days and Pollinators Garden Showcase ᱵᱟᱵᱚᱛ ᱛᱮ
The Good Old Days and Pollinators Garden Showcase reflect the social transformation in China from rural living to urban community life. Inspired by the coexistence of aging residential buildings and nature, the design recreates a pocket garden that simulates an ecological restoration site amid remaining structures after relocation. Through natural planting that attracts pollinators and a multi-sensory, interactive layout, the garden becomes a street-corner retreat, blending ecological value with cultural memory and immersive experience.
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Good Old Days and Pollinators Garden Showcase ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Good Old Days and Pollinators Garden Showcase ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Based on the concept of "coexistence of dilapidated old-style residential buildings and nature", the real garden site is simulated as a pocket garden of "remaining residential structures after relocation and an ecological restoration scene. Pollinators are attracted through natural planting, and multi-sensory fusion and interaction are integrated to create a street corner miniature garden with ecological value, cultural narrative and immersive experience.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Width 8000mm x Depth 5000mm x Height 3500mm
- ᱴᱮᱜ ᱠᱚ
- Pollinator-friendly, Inclusive-design, Pocket-garden
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The three "walls" are the main structures, representing the "soil erosion" of people's inner spiritual home under the direction of urbanization. Bug-hotels and insect-houses are interspersed in the flower beds, providing a habitat for pollinators in the ecological chain, playing a positive role in conserving and maintaining the water and soil on the physical site, and also echoing the conservation of the lost water and soil in people's hearts by these walls.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This form of expression aims to provide a new idea for municipal planners under the direction of urbanization development - while retaining some of the "original relics", some of the "relocation relics" can be integrated into the overall design and planning process in the form of block gardens or pocket gardens. This will not only provide a place for spiritual rest for the original inhabitants (especially the elderly), but also enhance the understanding of the original historical appearance of this area for later generations.
- ᱯᱨᱮᱨᱚᱱᱟ
- This design is based on modern social changes that multiple generations in China are facing the transformation from rural living habitats to the urbanized living model of living in communities. Many people have witnessed the demolition and replacement of modern and contemporary old-style houses, and new urban functional blocks have been planned on the original site of the relocation. Multiple generations have lost their "physical" homes, and their spiritual homes have gradually faded over time.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This project started on 11th April to 13th April as a temporary Pocket Garden in 'China Garden Expo 2025' in Suzhou, China
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- When visitors enter the garden, they can touch the "relics" and feel the passage of time, and through the fragrance of flowers, the touch of plants, and close interaction with pollinators, they can form an immersive experience spanning natural and human history.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Bowen Qian
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Bowen Qian
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
