Vicereines of Ireland علمي ڪتاب by Jurga Rakauskaite-Larkin is a highly esteemed winner of the very prestigious 2022 A' Design Award لوهه انعام in ڇپائي ۽ شايع ٿيل ميڊيا ڊيزائن Competition Category.
لوههڇپائي· 2022
Vicereines of Ireland علمي ڪتاب
Client: The Office of Public Works
A' Design Award لوهه انعام Winner in ڇپائي Category
Verified Award Winner
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About Vicereines of Ireland علمي ڪتاب
آئرلينڊ جون وائسريگل عورتون هڪ علمي ڪتاب آهي جيڪو آئرش تاريخ ۾ نظرانداز ٿيل عورتن جي هڪ ٽولي بابت آهي. ڊزائن انهن عورتن جي شاندار مادي دنيا کي پيش ڪري ٿو ۽ گڏوگڏ سندن عملن جي انسانيت کي به ظاهر ڪري ٿو. رنگن جو پيليٽ انهن گلابي رنگن مان ورتو ويو آهي جيڪي انهن عورتن مان هڪ جي پينٽ پيليٽ تي اڃا تائين موجود آهن. آخري صفحا (اينڊ پيپرز) هڪ پراڻي اٽالوي ماربل ٿيل نوٽ بڪ کان متاثر ٿي ٺاهيا ويا آهن ۽ انهن کي روايتي اسپاٽ ماربلنگ ٽيڪنڪ سان تيار ڪيو ويو، جنهن کي بعد ۾ ڊجيٽل انداز ۾ ڍاليو ويو. هارڊ ڪور تي، ڪور تصوير جي پويان هڪ سونهري فوئل واري چوڪٺ (فريم) لڳائي وئي آهي، جنهن سان تصوير ۾ ڏيکاريل عورت اڀري ۽ اڳتي محسوس ٿئي ٿي.
The Recognition
About the A' Design Award لوهه انعام
Vicereines of Ireland علمي ڪتاب A' Design Award لوهه انعام جو کٽيندڙ آهي، معزز اعتراف جيڪو انهن سٺين ڊيزائنن کي ڏنو وڃي ٿو جيڪي چڱيءَ طرح ڊزائين ڪيل تخليقن کان متوقع پيشه ورانه ۽ صنعتي گهرجون پوريون ڪن ٿيون. لوهه جا کٽيندڙ پنهنجي خالقن جي وڏي مهارت، اعليٰ ماهري، ماهرانه سمجھ ۽ تخليقي صلاحيت ڏيکارين ٿا. Vicereines of Ireland علمي ڪتاب کان اميد ڪئي وڃي ٿي ته اهو هڪ تمام گهڻو قدر ڪيل، ساراهيل ۽ پياري تخليق هوندو جيڪو عملي ۽ جدت وارو آهي. هي ڊيزائن جنهن A' Design Award لوهه انعام کٽيو آهي، صنعت جا بهترين طريقا گڏ ڪري ٿو ۽ علم ۽ صلاحيت سان ڳنڍيل قابل ٽيڪنيڪل خاصيتون رکي ٿو. Vicereines of Ireland علمي ڪتاب جي سنجيدگيءَ ڪري عزت ڪئي وڃي ٿي ۽ اهو زندگيءَ جي معيار ۾ بهتري آڻڻ لاءِ ٺاهيل آهي جيڪا دنيا کي بهتر جڳهه بڻائڻ ۾ مدد ڪري ٿي.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Aim of the design was to capture rich material world, and also to reflect these women's humanity. The choice of a simple cover rather than grand portrait, that mainly appear on the covers of art history books, reflects this approach. The gilded frame that usually surrounds many portraits is placed not around the portrait image but behind it, on the hard cover, allowing the image of the woman to come forward. It encourages reader to look beyond the superficial image of women as decorative partners to powerful men.
- Dimensions & Packaging
- Size:
21.46 x 2.79 x 24.51 cm portrait,
Cover:
Hardcover with Luxor 220 Gold foil block on the front and spine
Dust jacket with Matt Black foil block on the front and spine,
Printed: 4/4 CMYK,
Binding:
Hardcover, head and tail gold bands, 2.5 mm boards, thread sewn,
Black silk ribbon,
Repro:
Images supplied digitally, image and colour corrections,
One set of digital colour proofs - Tags
- book, irishdesign, irishculture,
- Production Technology
- The making of the book was a dialogue between the written content, the visual material discovered during the research, and current design practices. One of the key sources used in the writing of the book was an old Italian marbled notebook that belonged to one of the women. This inspired the creation of artwork for the book's end papers. The book's colour palette was sent to an artist, who created six bespoke patterns using a traditional spot marbling technique. After selecting the most suitable, the pattern was digitally manipulated to give this traditional pattern a contemporary look.
- Design Challenge
- As an academic book, there were specific design conventions which had to be followed. The challenge was to strike a balance between meeting these criteria and reflecting the seriousness of the book's content, while also pushing the creative boundaries to modernise the image of the art history book. A bold colour palette, unexpected cover image (and application of it), use of a ribbon bookmark inspired by the diaries of the vicereines and the choice of contemporary serif typography all helped to overcome this challenge.
- Research
- The research for the design grew out of several years of original research for the book. This research was carried out in public and private archives across Ireland, Britain and the USA, and attracted funding from bodies including the Paul Mellon Centre for Studies in British Art. The main sources were the letters and diaries of these women, as well as their private collections of textiles, sketches and personal objects. One of the most inspiring of these objects was the paint palette of one of the women featured in the book. The book's colour scheme was taken from the blush pink paint colours that have survived on the palette since the 1780s.
- Inspiration
- The book tells the untold story of a group of overlooked women in Irish history. As the wives of the countrys rulers, they were the female faces of the British administration in Ireland before independence. Even though their privileged world was one of shimmering fabrics, sparkling pearls and blossoming flowers, many of these women worked hard to relieve crushing poverty, promote Irish fashion and mitigate injustices. Despite their pioneering efforts, they have long been almost entirely forgotten in Irish history. Their story, and the value of telling it for the first time, inspired the project.
- Project Duration
- Project started in 2019 and was finished in 2021 in Dublin, Ireland.
- Team Members
- Editor: Myles Campbell
Project Manager: Mary Heffernan
Publisher: Irish Academic Press
Printed: Kopa Print - Image Credits
- Image #1 Unknown artist, The Right Hon. The Countess of Buckinghamshire (detail), 1778. Reproduced courtesy of the National Library of Ireland
Image #2 Ausra Lazauskiene, Marbling artist
Image #4 Robert French (photographed by), The vicereine’s boudoir at the Viceregal Lodge, Dublin, Reproduced courtesy of the National Library of Ireland.
Image #5 After Sir Thomas Lawrence, Lady Henrietta Cole, Lady Grantham, later Countess de Grey, National Trust, Florence Court, County Fermanagh
Henri Gascar, Frances Talbot (née Jennings), Duchess of Tyrconnell, Bridgeman Images.
Maria Phipps, Countess of Mulgrave, later Marchioness of Normanby
Montego Bay, Jamaica, Photograph by Scott Wicking, reproduced courtesy of the Marquis and Marchioness of Normanby.
Photographer: Kevin Fox, 'We Shoot'
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