Alu sa'o i le anotusi
Shany Abdallah Naji Galuega Autu: Faasologa o Galuega Faataitai Faatusa e Shany Dvora

O le mamanu Shany Abdallah Naji Galuega Autu: Faasologa o Galuega Faataitai Faatusa e Shany Dvora o se manumalo maualuga tele o le fa'ailoga mamalu 2021 A' Design Award Ario i le Vaega Tauva Mamanu Ata Fa'atusa.


ArioAta Fa'atusa· 2021

Shany Abdallah Naji Galuega Autu: Faasologa o Galuega Faataitai Faatusa

na mamanuina e Shany Dvora

Manumalo o le A' Design Award Ario i le Vaega Ata Fa'atusa

36,695

Lanu

Le Mamanu

E Uiga ia Shany Abdallah Naji Galuega Autu: Faasologa o Galuega Faataitai Faatusa

Shany Abdallah Naji o se faasologa o galuega faatusa e toe faaolaola ai se tu ma aga faaigoa a le aiga. O lea tu masani, lea na muta ina ua siitia le aiga mai Iraq i Isaraelu, sa tuuina atu ai i se pepe fou se igoa muamua e sosoo ma igoa o le tama ma le tama matua. Na fausia le faasologa ina ua maua ni pepa tuai o le femalagaaiga a le aiga. E lima galuega faafefiloi, e fa e iva le 50 i le 70 senitimita ma le tasi e 75 i le 70 senitimita, o loo lalagaina ata i totonu o tusitusiga faa-Eperu na musuia mai tusitusiga faa-Eperu mai Iraq, Yemen ma Morocco na faia i le va o le seneturi lona 12 ma le 15.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Shany Abdallah Naji Galuega Autu: Faasologa o Galuega Faataitai Faatusa, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Shany Abdallah Naji Galuega Autu: Faasologa o Galuega Faataitai Faatusa e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Shany Abdallah Naji Galuega Autu: Faasologa o Galuega Faataitai Faatusa o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Fua & Fa'apipi'i
4 works 50*70 cm
1 work 75*70 cm
Fa'ailoga
Calligraphy, Typography, Hebrew, Eastern
Tekonolosi Gaosiga
Mixed Media
Lu'itau o le Mamanu
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Su'esu'ega
For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Fa'aosofia
In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Umi o le Poloketi
2018-2019, Israel
Fa'agasologa o Galuega
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Pateni
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Sui o le 'Au
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Fa'aaloaloga o Ata
Shany Dvora

Lagolago Tau Tupe

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