Constructing The Intangible Galuega Autū: Faʻataʻitaʻiga Ata Mafaufau e Yuanying He

O le mamanu Constructing The Intangible Galuega Autū: Faʻataʻitaʻiga Ata Mafaufau e Yuanying He o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Uʻamea i le Vaega Tauva Mamanu Ata Fa'atusa.

UʻameaAta Fa'atusa· 2026

Constructing The Intangible Galuega Autū: Faʻataʻitaʻiga Ata Mafaufau

na mamanuina e Yuanying He

Tagata Fa'atau: K3ntiv3

Manumalo o le A' Design Award Uʻamea i le Vaega Ata Fa'atusa

7,885

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #181673

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Constructing The Intangible Galuega Autū: Faʻataʻitaʻiga Ata Mafaufau

Tusitusiga: O le Fausiaina o Mea e Le Maua e suʻesuʻe ai le manatua o se gaioiga o le toe fausiaina nai lo le faʻasaoina. Faʻaosofia e le manogi vave mou o fuga o le pomelo i le tamaitiiti, e faʻaaogaina e le galuega ni elemene faufale e pei o tini sii, faasologa fefefefe, ma faasitepu e le ogatasi e faʻaata ai le fausaga o le manatua. O loʻo faʻaalia le manatua o se gaioiga malosi o le faʻaputuina o vaega o le taimi ua tuanaʻi e fausia ai le faʻasinomaga o le taimi nei. E ala i se gagana faufale faʻataʻotoʻoto, e suia ai e le galuega se aafiaga o lagona e le maua i se foliga avanoa e mafai ona vaaia.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Constructing The Intangible Galuega Autū: Faʻataʻitaʻiga Ata Mafaufau, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Constructing The Intangible Galuega Autū: Faʻataʻitaʻiga Ata Mafaufau e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Constructing The Intangible Galuega Autū: Faʻataʻitaʻiga Ata Mafaufau ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Constructing the Intangible explores the architecture of memory. This artwork examines how sensory fragments, specifically the ephemeral scent of the past, are reorganized. Memory is presented not as static preservation, but as an active secondary rendering shaped by narrative coherence. Utilizing a structural language bridging nature and architecture, the design transforms intangible sensory experiences into visible forms. Past fragments serve as scaffolding to support selfhood.
Fua & Fa'apipi'i: High-resolution digital artwork.
Dimensions: 3600 x 3600 pixels.
Color space: RGB.
Format: Digital illustration suitable for print and screen display.
Fa'ailoga: memory reconstruction, olfactory memory, architectural metaphor, narrative identity, secondary construction, spatial abstraction, sensory memory, autobiographical memory
Tekonolosi Gaosiga: The artwork was created using digital illustration techniques. A structured grid-based composition system was applied to organize spatial elements. Layered vector and raster rendering methods were combined to achieve depth and architectural precision. The visual system references drafting language and construction schematics to reinforce the conceptual framework.
Lu'itau o le Mamanu: The primary challenge was translating an invisible and ephemeral sensory experience into a coherent spatial structure. The work avoids literal representation of scent and instead constructs a layered architectural system to express memory reconstruction. Balancing structural precision with emotional ambiguity required careful control of composition, grid systems, and visual hierarchy.
Su'esu'ega: This project explores autobiographical memory reconstruction through visual metaphor. Drawing from narrative identity theory and cognitive psychology, it investigates how memory is not a fixed recording but an active reconstruction shaped by perception and storytelling. Olfactory memory, particularly childhood scent associations, serves as an anchoring mechanism to translate intangible sensory recall into spatial and architectural language.
Fa'aosofia: The inspiration originated from a simple observation: describing a dream after waking is already an act of secondary representation and reconstruction. The cool scent of pomelo blossoms from childhood serves as a sensory anchor. This fleeting memory is deconstructed into an orderly “construction site”. Cranes, grids, and misaligned staircases symbolize the subtle imperfections and ongoing rebuilding inherent in human recollection.
Umi o le Poloketi: The project was conceptualized and completed in February 2026 in Shenzhen, China.
Fa'agasologa o Galuega: The viewer engages with the artwork through visual navigation. Misaligned staircases, cranes, and grid structures guide the eye toward a central focal point, mirroring the cognitive process of memory reconstruction. The interaction is interpretive rather than functional, inviting reflection rather than instruction.
Pateni: This project is an original conceptual artwork created by the artist. It is not associated with any registered patents or trademarks. All intellectual property rights belong solely to the artist.
Fa'aaloaloga o Ata: All visual elements, illustrations, and conceptual content in this project are original works created solely by the artist. No third-party materials, stock images, templates, or external visual assets were used in the creation of this work.