Guanshan Chiratidzo cheBhirendi naHong Jia Min

Dhizaini Guanshan Chiratidzo cheBhirendi naHong Jia Min ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheGirafiki, Mifananidzo neKutaurirana kweMeso.

SimbiGirafiki· 2025

Guanshan Chiratidzo cheBhirendi

na Hong Jia Min

Mutengi: Jijia Brand Creative Studio

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheGirafiki

2,022

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Simbisa Mamiriro eMubairo we#172951

Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

Mavara

Dhizaini

Nezvekwa Guanshan Chiratidzo cheBhirendi

Guanshan ichiratidzo chebhirendi chakagadzirirwa chitoro chinotengesa tii yemukaka. Dhizaini iyi inoshandisa mavara echiChina senheyo yayo uye inoita kuti chimiro chekunyora chekare checlerical script chive chemazuva ano, ichingochengetedza mweya wacho wechinyakare. Yakadzika midzi mune zvinonakidza zvekumabvazuva zvezvinhu, chiratidzo ichi chinosanganisa mifananidzo yemafeni eink wash netii yemidziyo. Chiratidzo chikuru chinoratidza feni nemukombe wetii mune chimiro chinofukidzana, chichigadzira zvirevo zviviri zvakasiyana. Mitsara yebhurashi yeink inoratidza gwenzi remhangura remafeni akatenderera echinyakare, uye mumvuri wemukombe unotorwa kubva mumakomba etii eJianzhan.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Guanshan Chiratidzo cheBhirendi, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Guanshan Chiratidzo cheBhirendi inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Guanshan Chiratidzo cheBhirendi inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Kukura & Kupakiwa: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Matagi: Oriental, Creativity, Tea , Ink Painting, Chinese
Tekinoroji Yekugadzira: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Changamire yeDhizaini: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Tsvakurudzo: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Chikurudziro: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Nguva yePurojekiti: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Mafambiro eBasa: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Mapetenzi: Copyrights belong to Hong Jia Min, 2024.
Nhengo dzeTimu: Hong Jia Min
Zvikwereti zveMifananidzo: Hong Jia Min