Oriental Zen Setsi sa Kamohelo ka Parn Shyr Design

Moralo oa Oriental Zen Setsi sa Kamohelo ka Parn Shyr Design ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2020

Oriental Zen Setsi sa Kamohelo

ka Parn Shyr Design

Moreki: PARN SHYR DESIGN Co., Ltd.

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

11,720

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #102433

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Oriental Zen Setsi sa Kamohelo

Oriental Zen ke setsi sa kamohelo se seteboho ho Zhonghe District, New Taipei City, Taiwan. Ka hare ho na le moaho oa mekato e 'meli, ’me mekhoa e habanyane ea moralo e sebelisitsoe ho rarolla sebōpeho se sa lekaneng le meeli ea sebōpeho sa sebaka sa mantlha. Tšepe e ncha e nang le pente e ntsho e koahela kolomo ea sebōpeho mokatong oa pele, e etsang setšoantšo se ka sehloohong sa pono. Mela e otlolohileng ea tšepe e hokahanya mekato e mmele e bile e theha moifo o tšoanang le moru oa mahlaka. Likarolo tsa Bochabela tse kang meraho, mongolo o motle (calligraphy), le mosebetsi oa bonono oa letsha la lotus, li kopantsoe le bonono ba khanya hore leseli le moriti li kopane hantle. Tikoloho e tala e tliswa ka hare ho ntlo.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Oriental Zen Setsi sa Kamohelo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Oriental Zen Setsi sa Kamohelo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Oriental Zen Setsi sa Kamohelo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Ingeniously utilized structure and landscape construction techniques and paired them with lighting coordination so that light and shadow are interwoven, achieving a Zen visual effect. With the addition of oriental elements such as a bamboo forest, lattices, works of calligraphy, and lotuses, an oriental-styled artistic space full of was created. At the same time, the green landscape is introduced into the interior from the outdoors, presenting a modern garden impression rich in Zen style.
Boholo le Phuthelo: Within the main design feature on the first floor having concealed the original structural column with its painted black metallic finishing soaring upward. The sparkling white masonry floor guides into the entire first-floor space all the way in echoing with the masonry materials on both the benchtops of the sales control counter and bar area. As the vista at the reception desk area was extended through the transparent glass, the metal tubing behind exhibits a tree-like symbolism. The floor pattern in the gents and ladies' bathrooms takes after the ebony pattern in the bar area with strong visual contrast.
Lithegi: Zen style, Green building, Forest garden, Artistic style, Orientalism
Theknoloji ya Tlhahiso: With a modern and fashionable palette of Zen-style materials, such as black-color metal, darkened mirror glass, black-color crystal acetate, grey-color paint color, linear-pattern ebony, brown-color sandblasted glass, striped and monochrome carpet, linear-striped wallpaper, and snow-white-color marble, etc., they complete and complement one another very well. Basic Non-Toxic and Non-Hazardous Types: Unpolluted and slightly processed decorative materials that are natural with zero.
Phephetso ya Moralo: A bold design featuring an aesthetically embellished and revamped structural column as the main visual focus was implemented on the first floor. For the second floor, the front-end vista provided a transparent visual effect to replace originally incomplete platform that cannot bear too much weight, so as to elevate the interior as well as connected the cultural section of the second floor. The design not only brings relief to the irregularity and limitation of the original space but synergize the original landscaping element and artist calligraphy pieces in dramatically elevating the aura of culture and art.
Dipatlisiso: In this project, sustainable metal building materials were utilized to form raised vertical lines, which connects every floor indoors. Also, materials such as black bake-painted metal pieces, wood pieces, smoky gray, black glass, striped carpet, wallpaper, black acrylic plates, and snow fox marble slabs were used to present modern fashion and Zen elements. In addition, the designer also made an in-depth understanding and application of green building and green building materials.
Kgothaletso: The reception center takes the theme of "Fashionable Oriental Zen" and draws inspiration from garden landscapes. The designer worked with the original structure of the two-story building and used minimalistic design techniques to cleverly resolve the irregularities and structural restrictions that existed in the space, further transforming defects into advantages, and creating a transparent and open artistic space.
Nako ya Projeke: Zhonghe District, New Taipei City, Taiwan
Tsamaiso ya Mosebetsi: Through complementing this raised vertical line with landscape construction techniques, interior spaces on every floor are interconnected, creating a bamboo-forest-like visual effect, which stretches upward. Adding oriental elements such as a bamboo forest and lattices and combining them with lighting design presents a visual effect where light and shadow are interwoven. Calligraphy works written in the cursive script on the walls and the semi-stereoscopic lotus pond oil painting installation art construct the impression of a modern garden in the interior.
Litho tsa Sehlopha: Pei Chi Hung and Yung Hsi Peng
Litlotla tsa Setshwantsho: PARN SHYR DESIGN