Taipei C House Mosebetsi o Motona: Moralo wa Ka Hare wa Ntlo ya Bodulo ka Chu Cheng Chang

Moralo oa Taipei C House Mosebetsi o Motona: Moralo wa Ka Hare wa Ntlo ya Bodulo ka Chu Cheng Chang ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

BoronseKa Hare· 2021

Taipei C House Mosebetsi o Motona: Moralo wa Ka Hare wa Ntlo ya Bodulo

ka Chu Cheng Chang

Moreki: CHU CHENG Design Interior Co., Ltd

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare

8,846

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #110123

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Taipei C House Mosebetsi o Motona: Moralo wa Ka Hare wa Ntlo ya Bodulo

Mongolo wa Buka: Taipei C House ke ka hare ho ntlo ya bodulo e fumanehang Taipei, Taiwan. Ntlo ena e koahela sebaka se ka bang 92.56 metara ea skwere mme e kenyeletsa monyako, phaposi ea boahi, phaposi ea ho jella, kichine, phaposi ea ho ithuta, mafolofolo a mabeli le libaka tsa ho hlapela tse peli. Mefuta e sa lekaneng e nkela sebaka sa moralo o tloaelehileng oa sekwere. Lipilara tsa terrazzo tse chitja le liphanele tsa tsheleng tse hlophisitsoeng ka laser li hlahisa libaka tse kobehileng libakeng tse arolelanoang. Meloko le lipilara li siiloe li bonahala, mme khanya e sa tobang e behiloe libakeng tseo maluti a marulelo a kopanang teng. Lifensetere tse kholo li tlisa khanya ea tlhaho le maponts'o a kantle ka har'a liphaposi.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Taipei C House Mosebetsi o Motona: Moralo wa Ka Hare wa Ntlo ya Bodulo ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Taipei C House Mosebetsi o Motona: Moralo wa Ka Hare wa Ntlo ya Bodulo e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Taipei C House Mosebetsi o Motona: Moralo wa Ka Hare wa Ntlo ya Bodulo e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The design team adopts irregular design, breaking the stereotype of the square impression in the space. Also, they transform the interior into a forest image, and they merge with the concept of honeycomb and cave, echoing the work configuration with the natural ecological environment. Moreover, they adopt large glass windows so that the outside sceneries accompany the interior design, breaking the distance from nature.
Boholo le Phuthelo: The floor area is about 92.5624 square meters. The layout includes an entrance, a dining room, living room, kitchen, and it has a master bedroom, a child bedroom, two bathrooms, and a study room.
Lithegi: Wabi-sabi design, post-modern style, simple style, curved surface, cylindrical design, special building materials
Theknoloji ya Tlhahiso: The designers adopt terrazzo cylinders and laser-sculpted wave panels to create a post-modern and irregular space expression in the public sphere. They deliberately expose the beams and pillars directly in the room. The columns take good advantage of the terrazzo to shape the arc-shaped corners, and indirect lighting is made at the ceiling joints. With the cement polishing and the vision of the same tone and texture wall, the beams in the guest and dining room present interlacing geometric linear vision of polishing cement wavy board and black steel brush veneer in the public sphere.
Phephetso ya Moralo: The child is in early childhood development, so the designers need to set up facilities that children can have activities and can play in the space. Thus, the designers adopt stones to pave a consistent and continuous floor in interior and exterior, creating an unconfined field without obvious distinctions and corners. Moreover, they reserve the floor-to-ceiling windows of each bedroom, allowing natural light and the indoor structure to create an open and bright feeling.
Dipatlisiso: The designers adopts terrazzo, laser cutting corrugated steel sheet and grayscale paint based on the spirit of the ancient Japanese culture "Wabi-Sabi". Lots of terrazzo and cold color tones inject the philosophy of inaction into the enlarged sense of space. Compared with the light and white public spheres, the steel brush made of solid wood is adopted to spray paint. Both bedrooms continue the main design idea of the exterior, and more transparent lighting techniques and natural wood veneers are adopted to add a closer and better comfortable atmosphere in the bedrooms.
Kgothaletso: Through thinking the picture of "home", the designers believe that not only its due functions, the home but also should be a place where clients can completely relax, tolerate, and restore their bodies and minds. In order to create such a healing sense, the team gets rid of the traditional design techniques that focus on form expression and style fabrication, and they concentrate entirely on the relationship between materials in the structure. With several cool-tone building materials, they outline a sense of volume in the interior.
Nako ya Projeke: The project is finished in February 2020 in Beitou Dist., Taipei City, Taiwan.
Tsamaiso ya Mosebetsi: When entering the door, the entrance area surrounded by columns and corrugated steel sheet adds visual privacy from the exterior to the interior in terms of functions. The corrugated steel sheet shapes the curved facade, and with the integration of the cabinet, it creates a clean and traceless storage function. A large amount of stone in the space creates a feeling of enlargement due to the relatively cold texture. However, space may have a risk of excessive indifference. In view of this, the designers adopt arc lines in the exterior to balance the cold texture.
Litho tsa Sehlopha: Chu-Cheng Chang, Pi-Chuan Pai
Litlotla tsa Setshwantsho: HEY! CHEESE, 2020.